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‘Documentary cinema educates, inspires and motivates to bring a change in the society’: Anurag Thakur

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Mumbai: The 17th edition of the Mumbai International Film Festival for documentary, short fiction and animation films (MIFF-2022) began with an opening ceremony in Mumbai on Sunday.

Speaking via a video message, the Union Minister for Information And Broadcasting Anurag Thakur said, “Documentary cinema creates the most significant impact. It not only educates, inspires and motivates a change in the society but also acts as a tool that transcends cultures and boundaries.”

This edition will offer around 400 films from across the world. Out of these, 102 films will be screened under the competition category-35 in international competition and 67 in a national competition.

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The minister also mentioned that MIFF provides a platform where documentary filmmakers from all over the world get to exchange ideas and explore the possibilities of co-productions and marketing of documentary, short and animation films. He added that this opportunity eventually broadens the vision of the film-makers vis-à-vis world cinema.

Speaking in this context, Union Minister of Commerce & Industry, Consumer Affairs & Food & Public Distribution and Textiles,  Piyush Goyal said that those who produce art films, documentary films and animation films are kind of a ‘Start-Up’ seeding new ideas and play the role of messengers in the country.

He said there are multiple avenues like the silver screen, television, OTT, etc, available to spread the message across the world, thus allowing such ‘start-ups’ to become ‘Unicorns’.

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Goyal said that Lata Mangeshkar was an inspiration for many artistes and musicians & through art she took India’s history, tradition and heritage to the world. “Let us explore ways as to how we can institutionalise Lata Didi’s role for the country, the city of Mumbai and the Cinema world itself.”

The Minister of State for Information And Broadcasting, Dr L. Murugan in his address spoke about the efforts made to promote Indian Cinema globally. He also pointed out how India has made a greater presence at the Cannes Film Festival and said Shaunak Sen’s film “All That Breathes” made India proud by winning the best documentary award.

The minister said that the government has announced incentives for international filmmakers and co-productions, especially for feature films, animation films, documentary films and web series.  “AVGC sector promotion is happening in a great way. The prime minister (PM) called for Digital India and Startup India and the Indian contingent at Cannes showcased our culture and ethos,” he proudly recalled.

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The seven-day festival was organised by the Films Division of the Ministry of Information & Broadcasting and inaugurated by Piyush Goyal.
 

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Jio Studios, Sanjay Dutt team up to revive Khal Nayak

Rights acquired for new version, format under wraps as remake plans take shape.

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MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.

Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.

While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.

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The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.

The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.

For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.

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Because in Bollywood, some villains never fade, they just wait for the perfect comeback.

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