iWorld
DNEG expands global footprint with new Toronto Studio
Mumbai: DNEG- visual effects (VFX) and animation studio for the creation of feature film, television and multiplatform content- has announced plans for increasing its Canada-based VFX and animation operations and talent pool.
With surging worldwide demand for its content across all platforms, DNEG is planning a new studio in the Greater Toronto Area that will initially employ up to 200 people, including many new technology positions. It will also expand its existing Vancouver and Montreal offices, and add a new studio for its Feature Animation division in Vancouver.
DNEG also has North American operations in Los Angeles. North American expansion and investment will bolster DENG’s leadership and multi-platform capabilities as a modern-day content production powerhouse for major Hollywood and independent studios and production companies, it said in a media statement.
DNEG chairman and CEO Namit Malhotra said, “We are also continuing to build out our studios in Vancouver and Montreal to support our upcoming slate of VFX projects, and extending our highly successful Feature Animation team to Vancouver as they move into production on five new animation projects. Growth in our Canadian talent and capabilities will help us strategically align with the demands of the entertainment industry and seize upon our new growth initiatives and content creation opportunities.”
The new Toronto studio will create up to 200 new jobs, initially in a remote-work capacity. Roles will encompass visual effects for film and episodic projects, feature animation, and technology positions. Opportunities will be posted at DNEG.com.
DNEG Global CTO Paul Salvini added, “I’m excited that DNEG is bringing these new opportunities to the visual effects and technology communities of the Greater Toronto Area. This is a great chance for technologists working in AI, machine learning, UX and across a broad spectrum of technology areas to refocus their talents on helping to create incredible imagery for some of the world’s biggest feature films and episodic series. We are not fixed on candidates having previous film or media industry experience – we’re looking for passionate and curious technologists who are excited at the prospect of a new challenge.”
DNEG will be creating up to 300 new roles across its Vancouver and Montreal offices, including up to 100 new positions in Vancouver for its Feature Animation team, to support their upcoming slate of animation projects. Opportunities will be posted at DNEG.com.
iWorld
WhatsApp may soon let users to pick who sees their status updates
The messaging giant is borrowing a page from Instagram’s playbook as it pushes to give users finer control over their social circles.
CALIFORNIA: WhatsApp is quietly working on a feature that could make its Status function considerably smarter and considerably more private.
According to reports from beta tracking platforms, the app is testing a tool called Status lists, which would allow users to create named groups such as close friends, family and colleagues, and control precisely which group sees each update. It is a meaningful step up from the platform’s current blunt instruments, which offer only three options: share with all contacts, exclude specific people, or manually select individuals each time.
The new feature draws an obvious comparison with Instagram’s Close Friends function, and the resemblance is unlikely to be accidental. Both platforms sit within Meta’s family, and the company has been nudging them toward a common logic of audience segmentation for some time.
The move also fits neatly into WhatsApp’s broader privacy push. The platform has been rolling out enhanced chat protections and is exploring the introduction of usernames, which would allow users to connect without exchanging phone numbers. Status lists extend that philosophy from messaging into broadcasting.
Meanwhile, Status itself has been evolving well beyond its origins as a simple photo-and-text slideshow. The feature now supports music stickers, collages, longer videos and interactive elements, pushing it closer to the social-media-style story format pioneered by Snapchat and refined by Instagram. In that context, finer audience controls are not merely a privacy feature. They are a precondition for people sharing more.
The feature remains in development and has not been confirmed for release. WhatsApp routinely tests tools that are later modified or quietly shelved. But the direction of travel is clear: the app wants Status to be a destination, not an afterthought. Letting users decide exactly who is in the audience is how it gets there.
