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Discovery+ bolsters content portfolio, changes pricing

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KOLKATA: Discovery+ on Wednesday announced its largest content portfolio expansion to make it the go-to app for viewing families. Starting from June, over 100 new shows for Kids and library content from A+E Networks (including from History TV18) will be added to its content slate.

The platform has also changed its pricing. The old rate of Rs 299 will be available only till 8 June 2021, post which subscription will be priced at Rs 399.

With the largest addition to its content library across sub-genres like reality, sports, kids, learning, food, travel, history et al since its inception, discovery+ will be a one stop destination for wholesome a family viewing experience across seven languages, to include English, Hindi, Tamil, Telugu, Kannada, Malayalam and Bengali, the company stated.

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Covering shows from a wide array of genres, audiences across different age groups and interests will now have access to diverse exciting, informative and entertaining content. From fresh weekly episodes of key acquisitions like Hell’s Kitchen featuring  Gordon Ramsay, the chef with a cult following, live races from thrilling 2021 FIM MotoGP World Championship, to highly appreciated motoring television series, Top Gear America hosted by Dax Shepard, Rob Corddry, and Jethro Bovingdon.      

Be it walking with migrating elephants in Walking with Elephants ft. Levison Wood, or navigating love under overbearing mothers’ eyes in I Love A Mama’s Boy, along with new episodes of the most loved franchise Undercover Billionaire: Comeback City, the discovery+ audience is assured of entertainment in more ways than one.

The plaform will be expanding its library even further with the acquisition of global and local titles from the A+E Networks’ (including from History TV18) library. From top-rated reality TV series like Pawn Stars based on a family-owned pawn shop to America’s favourite treasure hunters, Storage Wars to OMG! Yeh Mera India, the longest-running and most successful History TV18 franchise hosted by Krushna Abhishek and Kumbh: Among The Seekers based on a famous religious festival amongst other enthralling titles, users will have world-class content available at their fingertips. 

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Adding to the delight, a special curated kids content slate including exciting and appealing new shows like Mr. Bean, Little Singham, Kids Baking Championship, My Little Pony, Hanuman, Mister Maker among other fun titles are to be introduced. Children will be able to immerse into the world of fantasy and never-ending adventure while increasing their knowledge through informative titles like How Do Animals Do That, MythBusters Jr, to name a few.

Expanding its local original production in 2021, with standout titles including Star vs. Food, Secrets of Sinauli: Discovery of the Century, Mission Frontline, Ladakh Warriors and Vande Bharat Flight IX 1344: Hope To Survival, the app has become home, to strong locally differentiated content in the real-life entertainment and learning space. 

Discovery Inc South Asia managing director Megha Tata said: “We at discovery+, have always strived to provide world-class infotainment content to our users. Our partnership with A&E is a testament of how innovation for consumers remains core to discovery+ and reinforces our commitment to our audience by bringing to them content they like consuming under one platform. While we have our broad and engrossing portfolio for adults from varied genres, with the addition of kids we now have more content catering to the entire family. She also added, “We are confident that these additions will further strengthen our family, facts & fun premises that bring us close to our aspiration of being an aggregate platform catering to every member of the family.”

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iWorld

Paramount revamps app with short videos to boost mobile viewer engagement

Streaming giant borrows from TikTok playbook to drive daily usage on phones

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LOS ANGELES: Paramount Skydance is giving its streaming strategy a mobile-first twist, rolling out a redesigned version of its Paramount+ app that leans heavily on short-form video to capture viewer attention, according to a Reuters report.

The updated app, currently available to iPhone users via Apple, features scrollable clips such as sports highlights, news snippets, UFC moments and trailers. The idea is simple but effective: get users to open the app multiple times a day, much like they do with TikTok or Instagram.

By encouraging repeat visits, Paramount is betting it can deepen engagement and unlock new features such as real-time statistics during live events and interactive viewing elements. The approach reflects a broader industry shift, where streaming platforms are borrowing cues from social media to stay relevant in an increasingly crowded market.

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The stakes are high. In the first quarter of 2026, Paramount accounted for just 2 percent of global app-based streaming, trailing rivals such as Netflix, HBO Max and Peacock, according to data cited by Reuters. Even a potential combination with Warner Bros Discovery would only place it fourth in the streaming rankings.

Meanwhile, YouTube, owned by Google, continues to dominate the mobile video space, boasting user numbers far ahead of Paramount+. This gap has pushed traditional studios to rethink how audiences discover and consume content.

Industry insiders suggest Paramount could go further by experimenting with micro dramas or tapping digital creators to draw in younger viewers. Rivals are already moving in that direction. Netflix is investing in video podcasts featuring names like Pete Davidson, Michael Irvin and Brian Williams, while Amazon has teamed up with Jimmy Donaldson for a reality series.

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There are also hints of potential collaboration with TikTok, given shared links to Larry Ellison of Oracle, though both companies have said no formal agreement exists.

The revamp is part of a wider overhaul of Paramount’s streaming operations, including both Paramount+ and Pluto TV, as the company looks to sharpen its competitive edge.

In a market where attention spans are shrinking, Paramount’s latest move signals a clear pivot. If viewers will not come to long-form content, the strategy suggests, then perhaps the content must first meet them in short bursts.

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