Hindi
Centre earnings from IFFI in Goa far short of expectations
NEW DELHI: The Central Government earned a sum of Rs 8.32 million through registration of delegates from 2004 (when the International Film Festival of India moved to Goa) to 2011, despite claims of increasing number of delegates year after year..
The Central Government has spent a sum of Rs 153.948 million between 2009-10 and 2012-13 through the 11th Plan Scheme of Export Promotion through Festivals in India and overseas and the 12th Plan Scheme of Development, Communication and Dissemination of Film Content.
In addition, the Tourism Ministry of the Central Government also contributed a sum of Rs 23.93 million towards IFFI 2011, according to Information and Broadcasting Ministry sources.
The sources said that the funds allocated by it for the IFFI had risen from Rs 27 million in 2009-10 to Rs 60 million in 2012-13.
However, the sources said that IFFI was not aimed at earning profit but at promoting Indian cinema and film culture.
According to information furnished by the Entertainment Society of Goa, the Goa Government earned a total of Rs 84.258 million between 2004 and 29 November this year.
The Goa Government spent a sum of Rs 29.0835 million between 2009 and 29 November 2012.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
