International
Canon unveils new movie camera for filmmakers
MUMBAI: Four decades after it won Academy Awards for its cinema lenses, Canon Inc. recently unveiled a new high-end digital video camera called Cinema EOS.
Fujio Mitarai, chief executive of the Japanese camera and office equipment giant, took the wraps of the movie camera in a packed theater in the Paramount Pictures movie studio.
Mitarai said the camera‘s digital images had the warmth of film and brought out skin tones well. The company showed a number of short films that used the camera to show off how it functioned in action sequences, especially in tight areas that made use of its compact size.
At $20,000 for the body alone, the Cinema EOS is not cheap by consumer standards but is on the low end of what professional digital film cameras cost, which can reach into the six figures. Two zoom lenses intended for movie making will go for $45,000 and $47,000.
Making such costly cameras for professional users is somewhat of a departure for Canon, which makes up more than a third of its revenue from consumer electronics, and more than half from office equipment like all-in-one printer-copier-fax machines.
The camera draws on the popularity of the Canon EOS 5D Mark II, a single-lens reflex still camera that the company introduced in 2008 and which became widely embraced by independent filmmakers because of its ability to take full high-definition video at the 1920-by-1080 pixel resolution known as 1080p.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
