English Entertainment
Cannes Lions announces jury presidents
MUMBAI: The Cannes Lions International Festival of Creativity has completed its announcements of the 2016 jury presidents, revealing the names of the remaining seventeen.
Lions Festivals CEO Philip Thomas said, “It’s not easy to win a Lion. On average our juries will award just three per cent of more than 40,000 entries. They’re looking for unique work that is creatively exceptional and challenges the norm. What we look for in our presidents is people that have been in this three per cent time and time again – it’s a significant responsibility leading a Cannes Lions jury and we’re incredibly proud to have such a powerful mix of individuals who know what creative excellence looks like, because they have it in abundance themselves.”
The full line-up of 2016 Cannes Lions jury presidents have been named as follows:
Creative Effectiveness Lions: BBDO, Global CEO Andrew Robertson
Creative Data Lions: Havas helia, Global group CEO Tash Whitmey
Cyber Lions: R/GA, Global SVP, executive creative director Chloe Gottlieb
Design Lions: Landor, France executive creative director Tristan Macherel
Digital Craft Lions: MediaMonks, The Netherlands founder & COO Wesley ter Haar
Direct Lions: Publicis Communications, Global creative chairman and Leo Burnett Worldwide global chief creative officer Mark Tutssel
Entertainment Lions: CAA Marketing, USA chief creative officer & co-head Jae Goodman
Entertainment Lions for Music: Grey Group, USA EVP/director of music Josh Rabinowitz
Film Lions: The Martin Agency, USA chief creative officer Joe Alexander
Film Craft Lions: Great Guns, Global founder & CEO Laura Gregory
Glass Lion: The Lion for Change: Geena Davis Institute on Gender in Media, Global CEO Madeline Di Nonno
Health & Wellness Lions: The CDM Group, USA president Joshua Prince
Innovation Lions: Finch, Australia director – applied technology Emad Tahtouh
Media Lions: Dentsu Aegis Network, Asia Pacific CEO Asia Pacific Nick Waters
Mobile Lions: Cheil Worldwide, Global global chief creative officer Malcolm Poynton
Outdoor Lions: J. Walter Thompson, Brazil chief creative officer Ricardo John
Pharma Lions: Publicis Healthcare Communications Group, North America group president, North America Alexandra von Plato
PR Lions: Edelman, North America chair, Canada, head of creative and content John Clinton
Print & Publishing Lions: DDB Group, Singapore group executive creative director Joji Jacob
Product Design Lions: fuseproject, USA lead industrial designer Amina Horozic
Promo & Activation Lions: McCann Worldgroup, Global global creative chairman Rob Reilly
Radio Lions: Pirate Group Inc., Canada CEO and director Tom Eymundson
Titanium and Integrated Lions: BBH, Global founder, creative Sir John Hegarty
The presidents will be joined in Cannes in June by over 400 jurors as they work to identify Lion-winning creativity. The winners will be revealed and honoured during a series of six awards ceremonies which will take place during Cannes Lions.
The Festival runs from 18-25 June and incorporates specialist events, Lions Health, Lions Innovation and Lions Entertainment.
English Entertainment
The end of Freeview? Britain debates switching off aerial tv by 2034
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.








