MAM
Leading real-estate developer Omaxe’s web presence gets a fresh revamp by DigiStreet
New Delhi: One of the top builders in India and the most trusted brand in the real estate industry, Omaxe Group has turned itself into a brand that’s known for trust, reliability and versatility. With over 3 decades of providing top-notch services in the real estate industry, Omaxe Group has carved out a niche of its own by helping both individuals as well as corporate clients to helps them find their realty space.
DigiStreet recently assisted Omaxe in creating a fresh and strong web asset for strengthening the organization’s digital presence. With on-time delivery, spotless execution, the right concept and innovative use of the latest technology, the agency DigiStreet Media addressed various issues with effective and long-lasting solutions.
DigiStreet Media’s COO and Digital Head, Kavish Arora personally tended to Omaxe’s questions and queries and ensured undivided attention for the completion of the project right on time. “Omaxe Group has a legacy and a prestigious name in the industry. To be able to stand up to that means a lot to us", comments Kavish on the completion of the project.
“An ever-energetic team with the true essence of timelines & technology as well as in-depth knowledge – this is what I can say for team DigiStreet,” said Mr Deepak Rawat, Product Head – Marketing, Omaxe Group. He further adds, “The swiftness and efficiency with which DigiStreet has completed the project well on time is truly commendable. Omaxe’s relation with DigiStreet has further strengthened with this project!”
“As an agency, we always make sure to give each brand undivided attention and we did the same thing for Omaxe,” commented Darpan Sharma, CEO – DigiStreet Media. “I am really excited with the association and really happy with the team who has smartly delivered the unusually detailed project with right means of tech and right on time and thankful to the Omaxe team for their support and trust throughout to help us achieve this feat together.”
DigiStreet media is independent Marcom company that’s leading the Creative communication and digital marketing space in India and outside with their offbeat ways mixed with an innovative thought process that delivers the client’s very objective every time. The list includes Surya, Berger Paints, Jakson power, Apeejay Education, Okaya, Microtek, HP, Godfather Beer, Holostik, Compaq to mention few
Digital
Content India 2026 opens with a copro pitch, a spice evangelist and a £10,000 prize for Indian storytelling
Dish TV and C21Media’s three-day summit puts seven ambitious projects before an international jury, and two walk away with serious development money
MUMBAI: India’s content industry gathered in Mumbai this March for Content India 2026, a three-day summit organised by Dish TV in partnership with C21Media, and it wasted no time making a statement. The event opened with a Copro Pitch that put seven scripted and unscripted television concepts before an international panel of judges, and by the end of it, two projects had walked away with £10,000 each in marketing prize money from C21Media to support development and international promotion.
The jury, comprising Frank Spotnitz, Fiona Campbell, Rashmi Bajpai, Bal Samra and Rachel Glaister, evaluated a shortlist that ranged from a dark Mumbai comedy-drama about mental health (Dirty Minds, created by Sundar Aaron) to a Delhi coming-of-age mystery (Djinn Patrol, by Neha Sharma and Kilian Irwin), a techno-thriller about a teenage gaming prodigy (Kanpur X Satori, by Suchita Bhatia), an investigative crime drama blending mythology and modern thriller (The Age of Kali, by Shivani Bhatija), a documentary on India’s spice heritage (The Masala Quest, hosted by Sarina Kamini), a documentary on competitive gaming (Respawn: India’s Esports Revolution, by George Mangala Thomas and Sangram Mawari), and a reality-horror competition merging gaming and immersive fear (Scary Goose, by Samar Iqbal).
The session was hosted by Mayank Shekhar.
The two winners were Djinn Patrol, backed by Miura Kite, formerly of Participant Media and known for Chinatown and Keep Sweet: Pray & Obey, with Jaya Entertainment, producers of Real Kashmir Football Club, also attached; and The Masala Quest, created and hosted by Sarina Kamini, an Indian-Australian cook, author and self-described “spice evangelist.”
The summit also unveiled the Content India Trends Report, whose findings made for bracing reading. Daoud Jackson, senior analyst at OMDIA, set the tone: “By 2030, online video in India will nearly double the revenue of traditional TV, becoming the main driver of growth.” He noted that in 2025, India produced a quarter of all YouTube videos globally, overtaking the United States, while Indians collectively spend 117 years daily on YouTube and 72 years on Instagram. Traditional subscription TV is declining as free TV and connected TV gain ground, forcing broadcasters to innovate. “AI-generated content is just 2 per cent of engagement,” Jackson added, “highlighting the dominance of high-quality human content. The key for Indian media companies is scaling while monetising effectively from day one.”
Hannah Walsh, principal analyst at Ampere Analysis, added hard numbers to the picture. India produced over 24,000 titles in January 2026 alone, with 19,000 available internationally. The country now accounts for 12 per cent of Asia-Pacific content spend, up from 8 per cent in 2021, outpacing both Japan and China. Key exporters include JioStar, Zee Entertainment, Sony India, Amazon and Netflix, delivering over 7,500 Indian-produced titles abroad each year. The top importing markets are Saudi Arabia, the UAE, Egypt, the United States and the Philippines. Scripted content dominates globally at 88 per cent, with crime dramas and children’s and family titles performing particularly strongly.
Manoj Dobhal, chief executive and executive director of Dish TV India, framed the summit’s ambition squarely. “Stories don’t need translation. They need a platform, discovery, and reach, local or global,” he said. “India produces more movies than any country, our streaming platforms compete globally, and our tech and creators win international awards. Yet fragmentation slows growth. Producers, platforms, and tech move in different lanes. We need shared spaces, collaboration, and an ecosystem where ideas, technology, and people meet. That is why we built Content India.”
The data, the pitches and the prize money all pointed to the same conclusion: India is not waiting for the world to discover its stories. It is building the infrastructure to sell them.
