MAM
BSLI’s ‘How Many’ ad campaign reaches Cannes
MUMBAI: In late June, a Birla Sun Life Insurance (BSLI) ad campaign made it to the Mecca of advertising awards – the Cannes film festival.
The ‘How many’ ad for BSLI, created by Concept Communications and produced by Steam Engine Productions, was one of the three Indian entries that made it to the Cannes Film shortlist.
Winning creatives always are a derivative of a good client brief. BSLI CEO Nani Javeri says: “The effort represents a synergistic approach to marketing and communications wherein the ad agency and the BSLI team formulate the path ahead by working closely. As far as BSLI is concerned, effective communication and social responsibility go hand in hand.”
It takes an inspired adman to deliver the goods based on the brief. Concept’s creative director Sanjay Sule says: “The intention was to position Birla Sun Life as a responsible and socially conscious corporate citizen – an entity that thinks beyond insurance. That’s why we picked up the issue of smoking.”
The ad film uses memorable visuals to make an immediate impact on the viewer. The ad starts off by showing a small room in which a man who is the head of the family is smoking. The camera also pans the other members – an 80-year old grandmother, children including a six month old baby amongst others – who are closeted into the matchbox-like tenement. The other members of the family exhale while the head of the family inhales the cigarette smoke. Very effectively, without even using any voice-over, the BSLI drives home the point that passive smoking is injurious to your family’s health. The underlying element is “How many cigarettes do you smoke with your family every day?”
“The theme was so striking and hard-hitting that the BSLI team approved it in the first sitting itself. We shot the ad film in two days and the everything including the post production work was completed within 10 days. We shot with ordinary people and only the lead actor (the man of the family) and the wife are professional ad commercial artistes,” says Sule.
The film was aired on premier business channels such as CNBC India. When asked whether he knew that the ad would win accolades, a modest Sule says: “I had a gut feeling that it would be appreciated. We are happy that out of the two entries sent to Cannes, one of them made waves. All credit to the team and the client for having the guts to experiment with new concepts.”
The Birla Sun Life nomination is definitely raise the creative bar for Concept. “We are ready to face the challenge and are already thinking of similar concepts!” added Sule with a glint in his eyes.
The BSLI-Concept team is looking forward to win more awards for its latest innovative direct marketing ad campaign.
MAM
Coca-cola launches ‘Har Meal Aaaah’ campaign with Mamitha Baiju
Hyperlocal film turns parotta into ‘Parotaaaaaah’ to celebrate meal moments
MUMBAI: One sip, one sound and suddenly, every meal gets its moment. Coca-cola has unveiled its latest campaign, ‘Har Meal Aaaah’, aiming to turn everyday dining into something a little more memorable and a lot more refreshing. Fronted by Mamitha Baiju, the campaign leans into Coca-cola’s iconic “Aaaah” mnemonic that unmistakable expression after the first sip reimagining it as a cultural thread that ties together food, flavour and feeling across regions. The film, rooted in Tamil Nadu’s culinary culture, spotlights the beloved parotta, playfully stretching it into “Parotaaaaaah” to capture the joy of the perfect pairing.
Conceptualised by Ogilvy and extended regionally by Studio X, the campaign blends local insight with global brand cues. It reflects Coca-cola’s ongoing strategy of embedding itself into everyday rituals, this time, not through grand occasions, but through the quiet, familiar moments around food.
The idea is simple but sharply executed: position Coca-cola not as an add-on, but as an essential companion to meals. By tapping into hyperlocal food habits while retaining a universally recognisable brand cue, the campaign aims to deepen emotional recall across diverse audiences.
Early traction suggests the approach is resonating. The campaign has already sparked organic engagement online, with memes and user reactions amplifying its reach proof that sometimes, the smallest ideas travel the furthest.
At a time when brands are competing for attention in increasingly fragmented markets, ‘Har Meal Aaaah’ takes a different route zooming in rather than out. Because in the end, Coca-Cola’s bet is clear: if you can own the moment after the first sip, you can own the meal.
