MAM
ASCI upholds complaints on 5 ads
MUMBAI: Advertising Standards Council of India (ASCI) has pulled the plug on five advertisements from Prabhat Khabar, DNA, Naidunia, FMCG brand Sprite and Liquor brand McDowell’s No.1, finding them misleading.
ASCI‘s Consumer Complaints Council (CCC) pulled up newspaper Prabhat Khabar, which claimed No 1 position in Jharkhand by citing data from Audit Bureau of Circulation (ABC) July-December 2009.
The CCC’s findings show that the ABC July-Dec’09 results do not reflect Prabhat Khabar as the numero uno newspaper in Jharkhand as the claim is not substantiated by ABC report taking into account the circulation of Jamshedpur. After ASCI upheld the complaint, he advertiser has discontinued the advertisement.
Similarly, CCC found that the DNA newspaper’s advertisement claims of being “The No1 Daily for the independent people”, “The No.1 daily for the new Indian”, “The No.1 daily for the people’s voice”, “The No.1 daily for tomorrow’s leader” are not substantiated with any data or research from any independent organisation. The advertiser did not did not state any source or explicit study conducted before making these claims. The said advertisement was suspended by the advertiser.
In case of Nai Dunia newspaper, the advertiser’s assurance of compliance was still awaited by ASCI. The advertisement of Nai Dunia stated, “This remarkable growth rate of Nai Dunia can perhaps be an indication of the future, as much as that of current value”.
The advertisement is considered misleading by CCC as per Chapter I.4 since although the growth rate of NaiDunia and Dainik Bhaskar may have been correctly depicted, the absence of a base index renders the advertisement misleading.
In the Sprite TVC, which shows ‘two explorers captured by a tribe who are, apparently, cannibals and appear, quite distinctly, African’, CCC concluded that the ad projects negative stereotype of Africans and hence violates Chapter III, 1 (b) of ASCI which doesn’t permit derision of race, caste, colour, credd or nationality. This led to the TVC being withdrawn by the advertiser.
In case of McDowell’s No1 Platinum CD ad having slogan, “Get inspired by the rare and legendary”, the CCC concluded that the ad was a surrogate ad for a liquor product – McDowell’s No. 1 and hence contravened Chapter III.6 of the Code. As the ad appears in the middle of a live cricket match, it is not distinguishable from the programme and hence, it also violates The Cable Television Networks Rules, 1994. Subsequently, the TVC was withdrawn.
CCC also received complaint against Manforce Chocolate Flavoured Condoms. However, ASCI concurred that the TVC was not likely to cause grave or widespread offence, but found that it was not suitable for family viewing and, hence, the advertiser has been advised to air the TVC after family viewing hours – between 11 pm to 6 am.
Digital
India leads global adoption of ChatGPT Images 2.0 in first week
From anime avatars to fantasy covers, users turn AI visuals into culture
NEW DELHI: India has emerged as the largest user base for ChatGPT Images 2.0, just a week after its launch by OpenAI, underlining the country’s growing influence on global internet trends.
While the tool was introduced as an advanced image-generation upgrade within ChatGPT, Indian users are quickly reshaping its purpose. Instead of sticking to productivity-led use cases, many are embracing it as a creative playground for self-expression, storytelling and online identity.
From anime-style portraits and cinematic headshots to tarot-inspired visuals and fictional newspaper front pages, the model is being used to create highly stylised, shareable content. Features such as accurate text rendering, multilingual prompts and the ability to generate detailed visuals with minimal input have helped drive rapid adoption.
What sets the latest model apart is its ability to “think” through prompts, generating multiple outputs and adapting to context, including real-time web inputs. But the bigger story lies in how users are engaging with it.
In India, trends are already taking shape. Popular formats include dramatic studio-style lighting edits, LinkedIn-ready headshots, manga-inspired avatars, soft pastel “spring” aesthetics, AI-led fashion moodboards, paparazzi-style visuals and fantasy newspaper covers. Users are also restoring old photographs, creating tarot-style imagery and experimenting with futuristic design concepts.
Local flavour is adding another layer. Prompts such as cinematic portrait collages and Y2K-inspired romantic edits are gaining traction, blending global aesthetics with distinctly Indian internet culture.
The surge reflects a broader shift in how AI tools are being used in the country, moving beyond utility to creativity. As younger users, creators and social media enthusiasts experiment with new visual formats, AI-generated imagery is increasingly becoming part of everyday digital expression.
If early trends hold, ChatGPT Images 2.0 may not just be a tech upgrade but a cultural moment, giving millions a new visual language to play with online.
