MAM
Aqua Plumbings taps Ogilvy to rebrand bathware with flair, finesse and a splash of storytelling
MUMBAI: There’s more to the bathroom these days than soap and solitude.
For Aqua Plumbings, it’s a canvas for design, elegance and daily rituals—one that now gets a sharp creative partner in Ogilvy.
The Mumbai-based bath solutions brand has officially partnered with the ad giant to reshape how India sees and experiences its bathroom fixtures.
The collaboration marks a push by Aqua Plumbings to deepen its brand narrative in the booming bathware space, where design has gone from function to lifestyle statement. With Ogilvy, part of the WPP Group, Aqua Plumbings aims to elevate its two distinct brands—Plumber Bathware and Aquini—with strategic storytelling that blends luxury, design and consumer aspiration.
“At Aqua Plumbings, we’ve always focused on quality, innovation, and understanding our customer’s evolving aspirations. Partnering with Ogilvy gives us the opportunity to take that story further—with clarity, creativity, and consistency”, said Aqua Plumbings Pvt. Ltd ED Sudhir Chaudhary.
Aqua Plumbings operates through two verticals. Plumber Bathware, the flagship range, champions design, water efficiency and smart living—offering taps, showers and accessories with features like motor-driven, sensor-controlled fittings. At the upper end, Aquini caters to India’s ultra-luxury bath segment with sanitaryware and faucets built with high-end materials and European craftsmanship.
Rooted in European design standards and tailored to Indian expectations, Aqua Plumbings has built its identity on precision, sustainability and form-meets-function. Its push to redefine how Indian consumers perceive bath spaces mirrors a broader shift in how interior luxury is being consumed in the country.
Ogilvy Delhi (north) president & head of office Prakash Nair added, “This partnership brings together two companies with a shared belief in craft—whether in product or communication. We’re excited to work alongside Aqua Plumbings to build a brand presence that’s both culturally resonant and category-defining”.
The campaign will aim to build enduring narratives around bathware’s evolution in India, balancing utility with an aesthetic that appeals to the growing tribe of home-upgraders and interior purists.
As more Indians aspire to have spa-like bathrooms in their homes, Aqua Plumbings and Ogilvy have set their sights on making taps and tiles as much about aspiration as application.
MAM
VML India lands two finalist spots at Cairns Hatchlings 2026
The Mumbai agency is back in Australia with two teams, a UN brief and 24 hours to impress
MUMBAI: VML India is heading to Australia again. The Mumbai-based creative agency has secured two finalist spots at the Cairns Hatchlings 2026 competition, one in the Audio category and one in Design, making it the only Indian agency to have reached the finals in both editions of the contest since its launch in 2025.
Four people will make the trip. Senior copywriter Shilpi Dey and senior art director Raj Thakkar will compete in Audio. Art directors Shabbir and Shruti Negi will go head-to-head with the world’s best in Design. The finals take place at the Cairns Convention Centre from 13th May, culminating in an awards ceremony on 15th May.
The work that got them there is worth examining. For the Audio category, Dey and Thakkar tackled a brief for LIVE LIKE MMAD with a campaign called Inner Voice, Interrupted. Using spatial audio techniques, the campaign recreates the overwhelming self-doubt that descends after a long workday, physically panning negative thoughts left and right before cutting the noise entirely to reveal a confident inner voice. Strategically targeted at commuters via Spotify during evening rush hours, the campaign reframes the hours after work as an opportunity for personal growth and charitable action.
For the Design category, Shabbir and Negi worked on a brief for Canteen’s Bandanna Day, a campaign highlighting how cancer pushes teenagers out of their own defining moments. Using a pixelated design language to create stark contrast between a blurred world of isolation and a focused world of connection, the campaign, titled The Flipside of Cancer, shows teenagers fading into the background of birthdays, skateparks and school proms. As a Canteen bandanna appears, the blur flips and the teenager snaps back into sharp focus.
Kalpesh Patankar, group chief creative officer of VML India, made no attempt to disguise his satisfaction. “We are immensely proud to see our teams consistently excel on the Cairns Hatchlings platform since its inception,” he said. “They have masterfully tackled challenging briefs across diverse categories, demonstrating both layered storytelling and a unique creative approach. This exceptional teamwork is truly inspiring.”
Dey and Thakkar, returning to the finals after last year’s run, were candid about the demands of the audio medium. “It’s one of the most demanding mediums, where we only have a few seconds to capture a listener’s world with sound alone, so absolute clarity is essential,” they said. “The true measure of creative work is its ability to create positive change, and our audio submission was made to help those who need it most while encouraging people to silence the inner voices that hold them back.”
Shabbir and Negi, competing in Design for the first time, described the experience as “a completely different beast.” “We see it as an opportunity to showcase our expertise, raise the bar, and challenge ourselves in new ways, while also learning from creative minds from across the globe,” they said.
In Australia, the four finalists will face a live 24-hour brief from the United Nations before presenting in a live pitch session. Twenty-four hours, one brief, one shot. VML India has been here before. It knows exactly what is at stake.
