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Anupama Ramaswamy, Ashish Chakravarty, and Rajdeepak Das Named Abby Awards 2024 jury chairs
Mumbai: Anupama Ramaswamy, chief creative officer, Havas Worldwide India, Ashish Chakravarty, executive director, and India head of creative, for McCann Worldgroup and Rajdeepak Das, chief creative officer Publicis Groupe, South Asia and chairman, Leo Burnett, South Asia, join as jury chair for Still Digital category, Audio category, and Film (below 1 minute) category respectively, at The Abby Awards 2024 powered by One Show.
Havas Worldwide India chief creative officer Anupama Ramaswamy has been appointed jury chair of Abby Awards 2024 powered by One Show in the Still Digital category.
Anupama is touted as one of the most celebrated creative minds in the country. She has made an indelible mark through her clutter-breaking work, passion for art direction and pure play advertising.
Through her career, she has worked with some of the leading agencies in India and several marquee global and indigenous brands across sectors including Maruti Suzuki, Reckitt, Ikea, Vivo, Paytm, Subway, Tata Tea Digital, Samsung Mobiles, Airtel, Dabur, Lacoste, and many more.
Her recent campaigns, including the Paytm Divide and Chotu, made her win the One Show, a couple of Spikes, and New York Festivals, and she was featured as one of the Impact Creative Stars ’21. During her stint at JWT Delhi as senior creative director, Anupama led the Delhi office to its first Cannes Lions and Clio Gold.
She has also been a recipient of some of the most coveted awards including Cannes Lions, Clio, Adfest, New York Festivals, Abby, Effies, Spikes, Global Healthcare Awards, IAA Awards and The One Show and her work for Fuji Film has been featured in the prestigious Gunn Report as one of the top 20 most awarded print campaigns in the world.
Anupama has been on the jury of several prestigious awards like The One Show and Spikes Asia and the grand jury at AME awards, and New York Festivals.
Ashish Chakravarty executive director, and India head of creative, for McCann Worldgroup
has been appointed jury chair of Abby Awards 2024 powered by One Show in the Audio category.
Ashish has worked in most of the major agency networks and on some of the biggest global, and Indian brands.
He is the recipient of more than 400 national and international awards on top advertising shows like One Show, Cannes, D&AD, Clio, Ad-fest, Spikes, Kyoorius, and Goafest, among others.
Ashish has served as jury or jury chair, at many top international advertising awards, as well as all the top Indian award shows.
Ashish has been recognized as one of the top 10 Creative Directors in India by Economic Times, the leading business newspaper, and was also ranked among the top ECDs in the world in industry rankings
Rajdeepak Das chief creative officer of Publicis Groupe, South Asia and Chairman of Leo Burnett, South Asia has been appointed Jury Chair of the Abby Awards 2024 powered by the One Show in Film (below 1 minute)category.
Raj firmly believes that the true potential of creativity and technology is finding human-centric solutions for the biggest brands because what’s good for people is good for brands. And his body of work reflects his vision for creativity.
Raj was the force behind the iconic work for P&G Whisper ‘Touch the Pickle’ – one of the first social movements to break the taboo around periods in the Indian sub-continent. To his recent work for Whisper – the Missing Chapter which won him a Grand Prix in Sustainable Development Goals at Cannes Lions 2022 – an award which is very close to his heart as it made a real difference in the lives of young girls by breaking period taboos and getting the chapter on periods added in school books, helping 23 million girls stay in school.
He and his team gave every Indian a piece of national treasure, by building Bajaj motorbikes out of the legendary warship INS Vikrant. In collaboration with India’s biggest petroleum brand and the government of India, they innovated the world’s first anti-collision road management system to reduce road accidents on Himalayan Roads.
For one of India’s biggest financial brands, he created India’s 1st social media-based microfinancing system.
Raj was featured in the Netflix Docuseries – Creative Indians Season 4 – a series which showcased the most talented Indians from Oscar winners to Bollywood Stars and artists to Grammy Awards-winning musicians. He has led and been a part of several jury cohorts at some of the biggest platforms including Cannes Lions, Spikes Asia, Dubai Lynx, and One Show to name a few.
His HumanKind approach to creativity led Leo Burnett India to win multiple Grand Prix and metals at prestigious platforms like Cannes Lions, One Show, D&AD and Spikes Asia. But he believes his biggest creation to date is Apollo 11 a specialised division of Leo Burnett India, consisting of what he calls ‘the mutant creatives’. Team of young people in their 20s with backgrounds in aerospace engineering, product design, data analysis and environment scientists solving human and brand problems with him.
“I have always believed that an award is as good as its jury. This year too, the Abby Awards powered by One Show have a stellar lineup of both domestic and international luminaries as Jury Chairs, across 23 categories. Over the last two years the number of women jurors has been significant, and this year, with over one-third being women masters of their craft. To win recognition from such respected Jury Chairs is a matter of immense pride for the AdClub, the participating agencies and brands.” said Ajay Kakar, chairperson of Awards Governing Council, Abby Awards 2024 powered by One Show and managing committee member, The Advertising Club.
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Lessons from global media markets on building enduring content franchises
Rose Audio Visuals COO and CFO Mitesh Patel.
MUMBAI: The global media landscape has undergone a fundamental shift. Success today is no longer defined by a single hit show. It is defined by the ability to build intellectual property (IP) that travels, evolves, and compounds over time.
At Rose Audio Visuals, this shift is central to how we think about content pitching and creation. We are no longer in the business of just making shows. We are in the business of building IP ecosystems.
From Hits to Franchises
Globally, the most successful content is designed to extend beyond its first outing. It travels across: Seasons, Platforms (TV → OTT → Digital), Formats (series → spin-offs) Shows like Stranger Things and Money Heist are not just successful series they are multi-layered franchises with global recall, fan engagement, and long-term monetisation. The key learning is simple: If content cannot scale beyond one season or one platform, it remains a project not a franchise.
Local Stories, Global Impact
One of the most powerful global trends is the rise of culturally rooted storytelling. Platforms today reward local authenticity combined with universal emotion. Stories that are deeply regional are no longer limited by geography they are amplified by it. Consider the global impact of Squid Game or India’s own Sacred Games. The takeaway is clear: The more authentic the story, the greater its potential to travel if the emotion resonates universally.
Monetisation Begins After the First Window
A critical global learning is that the true value of content is not realised at launch, it is realised over time.
Strong franchises unlock multiple revenue streams: Licensing, International remakes, Brand integrations, Digital extensions , Events and immersive experiences
Global players like The Walt Disney Company have mastered this approach, turning content into long-term ecosystems that extend far beyond the screen.
The first window is just the beginning. The real value lies in what follows.
At Rose Audio Visuals, we increasingly evaluate projects not just on commissioning value, but on their long-term franchise potential.
The Rise of Creator-Led Franchises
An important global shift is the emergence of creator-led IP ecosystems.
Creators today are not just content producers they are building full-scale franchises across platforms, formats, and businesses.
A powerful example is MrBeast. What started as YouTube videos has evolved into: Multiple content formats, Global audience scale , Brand extensions and businesses, High-impact experiential content This is a fundamentally different model digital-first, audience-owned, and infinitely scalable.
This model is still in its early stages in Indian but it represents a massive opportunity.
The next wave of Indian content franchises may not come from traditional studios alone but from creators who think like media companies.
Balancing Data with Creative Instinct
Streaming platforms today are deeply data-driven. Data helps Identify emerging genres, Predict audience behaviour , Inform commissioning decisions However, global experience shows that data alone does not create hits. Data informs scale, but storytelling creates impact.
Talent is the Foundation of Franchises
Enduring franchises are rarely accidental they are built through long-term creative partnerships. Globally, there is a clear focus on nurturing Actors, Writter, Show runner and director. Franchises are not built on scripts alone they are built on creators. This is an area where we continue to invest deeply building long-term relationships with talent rather than project-based collaborations.
Multi-Platform Thinking from Day One
Content consumption today is inherently multi-platform. A successful show must be designed not just for its primary platform, but for: Short-form extensions, Social media amplification, Digital-first engagement. Every show today needs a second life beyond its original format.
India: A Market at an Inflection Point
India today stands at a unique moment in its content journey.
We are seeing significant opportunity in Regional markets (Telugu, Tamil, Marathi and others) Emerging formats such as micro-dramas, Scalable, franchise-driven fiction IP
India does not lack stories. What we have historically lacked is structured franchise thinking something that is now beginning to evolve.
The Way Forward
The biggest lesson from global markets is this: The future belongs to companies that do not chase hits, but systematically build franchises. Because while hits may deliver immediate success, franchises create long-term value, recall, and compounding growth.
At Rose Audio Visuals, this belief shapes how we develop, greenlight, and scale content across platforms.
For content companies today, the question is no longer “Will this show work?” It is: “Can this become a franchise?”
A Personal Note
Having worked across content, business, and strategy, one thing has become increasingly clear to me, the most valuable companies in our industry will not be those that create the most content, but those that create content that endures.
Building a franchise requires patience, conviction, and a long-term lens something that the industry is only now beginning to fully embrace.As we continue this journey at Rose Audio Visuals, our focus remains simple: to move from volume-driven creation to value-driven storytelling. Because in the end, stories may start conversations but franchises build legacies.
