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ZEEL takes ZEE5 Global; goes LIVE in 190+ countries around the World

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Mumbai, 3rd October 2018: Bringing the largest library of multilingual content to the South Asian diaspora and beyond across the world, Amit Goenka, CEO – ZEE International and Z5 Global, today announced that ZEEL’s digital entertainment platform ZEE5 has gone LIVE in 190+ countries globally. ZEE5 has been launched across platforms and will offer viewers around the globe a completely integrated entertainment offering, with both On-Demand and Live TV across devices.

ZEE5 offers the largest width and depth of multi-genre content including news and entertainment across English, Tamil, Hindi, Malayalam, Telugu, Kannada, Marathi, Bengali, Oriya, Bhojpuri, Gujarati and Punjabi. ZEE5 comes packed with 1,00,000 hours of On Demand content, including Movies and TV Shows, Music, and Health and Lifestyle videos along with a slew of originals, across 12 languages. It also has an extensive Live TV offering with 60+ popular Live TV channels.

ZEE5 offers various unique features like content and display language personalization across 12 and 11 languages respectively, voice search, download to watch offline option, HD Quality video, adaptive bit rate streaming etc.
Outlining the global strategy, Amit Goenka, CEO – ZEE International and Z5 Global said, “As a global content company ZEE has always been at the forefront of bringing the best of Indian entertainment content to audiences around the world. With the launch of ZEE5 across 190+ markets, we have moved into the next phase of our growth story. Launching ZEE5 globally rather than in a staggered manner has been a conscious move in order to capitalise on the tremendous love and following the brand has amassed over the years overseas. This new chapter further strengthens us as a Media & Entertainment behemoth and reiterates our claim to the India story, bringing to our audiences around the globe an unrivalled content offering, using robust technology.”

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Speaking on the soft launch, Archana Anand, Chief Business Officer- ZEE5 Global said, “With over 1,00,000 hours of content across genres and languages, ZEE5 is the singular platform that Indians and South Asians have been waiting for. With the launch of ZEE5 globally, we intend to own the India peg completely and be the unequivocal go to destination for Indian content for South Asians and beyond, wherever they may be.”

Availability: The ZEE5 App can be downloaded from Google Play Store and very shortly from the iOS App Store. Also available at www.ZEE5.com. Other platform in the pipeline includes Amazon fire tv stick, Apple TV, connected TV apps etc.
Pricing: Freemium pricing model with both free and paid premium content to cater to a mix of audiences across markets. Viewers who subscribe to the ZEE5 subscription pack will get access to the entire library of content at a special introductory offer price ranging from USD 2.00 per month to USD 10.00 per month, depending on the region.

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iWorld

Uber spotlights Rs 25 bike rides with music led IPL campaign

Uber uses 15 second music films with Divine and Roll Rida to push Rs 25 rides

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MUMBAI: In a season where ads usually swing for sixes with celebrity spectacle, Uber has chosen to play a clever single sharp, fast, and straight to the point. Uber has rolled out a distinctly stripped-down IPL campaign, putting its product Uber Bike rides starting at Rs 25 for up to 3 km front and centre, rather than leaning on big-budget storytelling. The campaign features hip-hop artist Divine in Mumbai and Roll Rida in southern markets, using music as the primary vehicle for recall.

IPL advertising has long been dominated by high-production narratives packed with cricketers and film stars. Uber’s approach flips that playbook. Instead of elaborate storytelling, the brand opts for 15-second music-led films quick, rhythmic bursts designed to mirror the pace of urban mobility itself.

The message is deliberately simple, affordable, fast rides that cut through city traffic. No layered plots, no extended build-up just a functional promise delivered with cultural flair.

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In the Mumbai-led film, Divine zips through traffic on an Uber Bike, turning the Rs 25 price point into a hook with his signature wordplay around “pachisi”. The campaign cleverly reframes affordability as a moment of delight, the kind that leaves commuters with a “32-teeth smile” after beating traffic at minimal cost.

Meanwhile, Roll Rida’s version leans into southern sensibilities, blending Telugu and Tamil influences with high-energy visuals. Set to the beat of tape drums, the film celebrates how low-cost rides can unlock a more connected and vibrant city experience. Together, the films reflect a conscious push towards regional authenticity, rather than a one-size-fits-all national narrative.

The campaign also signals Uber’s sharper focus on India’s growing bike taxi segment. While the company offers multi-modal services spanning cars, autos, metro integrations and intercity travel, this push zeroes in on two-wheelers as a key growth lever in dense urban markets.

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By anchoring the campaign around a Rs 25 entry price for short distances, Uber is targeting everyday commuters, particularly younger users navigating congested cities where speed and cost matter more than comfort.

With IPL advertising clutter at its peak, even the most straightforward message risks getting lost. Uber’s answer is to embed the proposition within culture using music, regional nuance and repeat-friendly short formats to drive recall. The creative team has also layered subtle visual cues including multiple references to “25” within frames encouraging repeat viewing and reinforcing the core message without over-explaining it.

The campaign reflects a broader shift in advertising priorities. As attention spans shrink and media environments get noisier, brands are increasingly favouring clarity over complexity and speed over scale.

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Uber’s IPL play may not shout the loudest, but it lands where it matters in the everyday commute. Because sometimes, in a marketplace full of grand narratives, a Rs 25 ride is story enough.

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