iWorld
Holi at home? Stream these five Bollywood favourites on Tata Play Binge
Park the pichkaris and press play this festive week
NATIONAL: Bura na maano, Holi hai! Laughter rings out, plates of gujiya do the rounds and the streets brace for their annual drenching. This year brings a slight celestial twist: with the 3 March lunar eclipse in play, many regions will light the Holika pyre then and break out the colours on 4 March, though local calendars may vary. Either way, if the streets feel too crowded, Tata Play Binge has lined up a clutch of films where Holi is more than backdrop; it is turning point, metaphor and mood-setter.
Here are five festive staples to stream:
Sholay (1975)
No Holi playlist is complete without Holi Ke Din Dil Khil Jaate Hain. Ramesh Sippy’s classic stages the festival in Ramgarh before the mood is brutally interrupted. Amitabh Bachchan and Dharmendra’s Jai and Veeru, enlisted by Sanjeev Kumar’s Thakur Baldev Singh to stop Amjad Khan’s Gabbar Singh, deliver a scene that swings from jubilation to dread in minutes. It is Bollywood spectacle at full volume.
Yeh Jawaani Hai Deewani (2013)
If Holi had a millennial soundtrack, it would be Balam Pichkari. Ayan Mukerji’s coming-of-age romance lets Ranbir Kapoor’s Bunny and Deepika Padukone’s Naina drop their guards in a swirl of colour and confession. Kalki Koechlin and Aditya Roy Kapur add to the ensemble in a film where flirtation matures into something more fragile.
Raanjhanaa (2013)
In the bylanes of Banaras, Holi turns intense. Dhanush’s Kundan is hopelessly devoted to Sonam Kapoor’s Zoya in a story that fuses unrequited love with political churn. The colours here feel heavy, a festival reframed as emotional upheaval.
Kati Patang (1971)
Aaj Na Chhodenge Bas Humjoli keeps this Rajesh Khanna–Asha Parekh drama evergreen. Beneath the song lies a tale of reinvention and quiet longing, as a woman assumes a new identity to escape her past. The Holi sequence glows with romance, even as the plot simmers with secrets.
Badrinath Ki Dulhania (2017)
Youthful and unabashed, this small-town romance pairs Varun Dhawan’s blustering Badri with Alia Bhatt’s self-assured Vaidehi. Holi becomes a flirtatious battlefield before the film pivots to questions of ambition and equality. It is bright, brash and keenly contemporary.
(Note: The cover image is AI-generated and meant for representational purposes only.)
iWorld
Sony LIV acquires worldwide digital rights for Marathi romance Toh Ti Ani Fuji
Film shot in Japan and India to stream exclusively on the platform from 10 April 2026.
MUMBAI: Love knows no language, but this Marathi romance is about to speak to audiences far beyond its roots and it’s doing so with a scenic detour through Japan. Sony Pictures Networks India has acquired the worldwide digital rights for the Marathi-language romance feature Toh Ti Ani Fuji (also known as Main, Woh Aur Fuji), with an exclusive direct-to-digital release on Sony Liv scheduled for 10 April 2026. Sony Pictures Networks India will retain exclusive worldwide theatrical and linear rights.
Filmed extensively in Japan and India, the film marks an unprecedented Marathi-language romance set on an international canvas. It explores how relationships evolve under the pressures of distance, time, and shifting emotional realities, using Japan not merely as a backdrop but as an emotional landscape that mirrors the characters’ inner journeys.
Written by Irawati Karnik and directed by Mohit Takalkar, the story follows a deeply passionate relationship that gradually turns toxic due to contrasting personalities, shifting priorities, and unfair emotional expectations. Seven years after their separation, the former couple unexpectedly reunite in Japan, reopening old wounds and unspoken desires while questioning whether love altered by time can ever find its way back.
Producer Shiladitya Bora said the partnership with Sony Pictures Networks India reflects the growing belief that “regional is the new mainstream.” He added that the film’s multi-language digital release on Sony LIV will help it connect with newer audiences across India and the world.
Director Mohit Takalkar described the film as an exploration of how love changes in today’s urban world, shaped by ambition, geography, and the pressure to evolve. “It began as a very personal exploration of relationships, and to see it reaching a wider audience feels deeply satisfying,” he noted.
Actors Lalit Prabhakar and Mrinmayee Godbole highlighted the film’s intimate yet universal take on love, separation, and rediscovery. Godbole particularly praised how filming in Japan added a global dimension while keeping the story deeply personal.
From a toxic romance that travels from India to Japan and back, Toh Ti Ani Fuji promises an emotionally layered story that feels both specific and universal. For Sony LIV viewers, this first-of-its-kind Marathi film offers a chance to experience love, loss, and second chances with a refreshing international flavour.
The film streams exclusively on Sony LIV from 10 April 2026.
