I&B Ministry
MIB has no data on OTTs; not under regulation: Minister
NEW DELHI: The government on Thursday while admitting it has no official data relating to OTT industry, including number of players and subscribers, said the Ministry of Information and Broadcasting (MIB) doesn’t regulate internet-based video services.
“MIB does not regulate paid streaming and video-on-demand services provided over the internet. However, there are enough safeguards available under the Information Technology Act, 2000, which is administered by Ministry of Electronics and Information Technology (MEITY), for content appearing on paid streaming and video-on-demand services,” MIB junior minister Rajyavardhan Rathore informed Indian Parliament’s Lower House or Lok Sabha.
The government stand is significant because increasingly voices of criticism were being heard from the conservative section of society questioning edgy content on OTT platforms that technically don’t have to follow any content code like done by linear TV, which also broadly follows guidelines on content as enumerated in the Cable TV Act 1997, apart from imposing self-regulations administered by industry bodies like NBA and IBF.
With original shows and serials on OTT platforms operating in India increasing by the day — egged on by global and domestic players like Netflix, Amazon, Hotstar, VOOT and Arre — the fledgling industry segment has given content producers a platform where out-of-the-box themes are being tested and tried.
According to Rathore, who was answering a series of questions on the country’s OTT services, there were no official figures available with the ministry.
However, MIB quoted Frost & Sullivan to state it is estimated there were around 70 million unique connected viewers of which 1.3 million were paid video subscribers.
While not directly stating whether the government proposed any content regulations for OTT platforms, Rathore clarified that IT Ministry was empowered to block and/or censure content and its distributors on several grounds, including those relating to security of the country, foreign relations and pornography.
As of now OTT platforms in India could breathe easy as regulator TRAI, too, has not issued any guideline relating to OTT content preferring to restrict its diktat on the telecoms side of net neutrality. Still, many OTT platforms, some of which are digital extensions of traditional TV services owned by big broadcasting companies, prefer to do self-censorship on edgy content in shows like the Game of Thrones.
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I&B Ministry
CBFC speeds up film certification; average approval time cut to 22 days
Over 71,900 films cleared in five years as digital system shortens approval timelines
MUMBAI: The Central Board of Film Certification (CBFC) has significantly reduced the time taken to certify films, with the average approval timeline now down to 22 working days for feature films and just three days for short films.
Operating under the Ministry of Information and Broadcasting, the statutory body certifies films for public exhibition in line with the Cinematograph Act, 1952 and the Cinematograph (Certification) Rules, 2024. The rules prescribe a maximum certification period of 48 working days, though the adoption of the Online Certification System has sharply accelerated the process.
Over the past five years, from 2020-21 to 2024-25, the board certified a total of 71,963 films across formats. Of these, the majority fell under the U category with 41,817 titles, followed by UA with 28,268 films and A with 1,878 films. No films were certified under the S category during the period.
Film approvals have also steadily risen in recent years. The CBFC cleared 8,299 films in 2020-21, a figure that peaked at 18,070 in 2022-23 before settling at 15,444 films in 2024-25. During the same period, 11,064 films were certified with cuts or modifications.
Despite the high volume of certifications, outright refusals remain rare. Only three films were denied certification over the last five years, with one refusal recorded in 2022-23 and two in 2024-25.
The board may recommend cuts or modifications if a film violates statutory parameters relating to the sovereignty and integrity of India, security of the state, friendly relations with foreign states, public order, decency or morality, defamation, contempt of court or incitement to an offence.
Filmmakers can challenge CBFC decisions in court. Data shows that such disputes remain limited but have seen some fluctuation. Between 2021 and 2025, a total of 21 certification decisions were challenged before High Courts, with the number rising to 10 cases in 2025.
Responding to a question in the Rajya Sabha, minister of state for information and broadcasting L. Murugan shared the data. The question was raised by Mallikarjun Kharge.
With faster timelines and a largely digital workflow, the certification process appears to be moving at a far brisker pace, signalling a shift towards quicker clearances for India’s growing film output.
