iWorld
Data has made us richer in thinking and approach: ZEE5’s Aparna Acharekar
MUMBAI: Data, touted as the new oil, has empowered creativity, especially in the segment of over-the-top (OTT) platforms. As audiences across the country are spoilt with options, streaming engines are integrating data massively in content strategy. ZEE5 India programming head Aparna Acharekar is also of the view that data has made the platform richer in thinking and approach, bringing a change in the decision-making of starting new projects as well as in content strategy.
"Data is the first benchmark. It is the ammunition we have. Data is the new oil that runs the entire industry. The process is not different because all of these choices. Then again whether it is acquisition or buying, your filters will have to be the same,” she said.
In a freewheeling chat with us, Acharekar, the mastermind behind all the great content ZEE5 is churning out explained how the decision-making process changed from what it was a couple of years ago. She also threw light on the evolution of the content strategy looking back at 2019 as time goes forward.
While earlier a lot of commissioning was based on overall knowledge of what consumers in OTT want, now on the back of data they are noticing what each consumer likes. While ZEE5 has an enormous library of originals alongside catch-up content from the network, it’s important to keep a track of what a consumer is liking to retain him on the platform.
According to her, last year the trends they picked up was different consumer sets and consumer tastes rather than the genres. She also added that most of the platforms have gone beyond from this typical thing of genres.
“More than clear genres emerging as viewers, clear consumer taste evolved as viewers because at ZEE5 we tried out everything. We didn’t go after one genre because very early on we realised that if you go after any one type of content then you will get only one type of people, who are watching that type of content at multiple different sources. So for me to widen my base I have to keep attracting people who like different things,” she added.
She also explained how the business and content strategy collide.
“If two taste clusters overlap then we will make something that both of you like. The most valuable customer for us is the one who likes multiple things. If you are very rigid you are important for me but you give me less value. The ARPU I get from you is less. Content strategy is derived from business strategy,” she added.
One big driver for the platform this year will be taking forward successful shows into the next seasons while the trend has been already set with Rangbaaz Phirse. As in last two years, the platforms have already set a base, now it plans to capitalise on all the wins that it had in the earlier seasons.
“It is more of an evolution, not a change,” she commented on ZEE5's content strategy for 2020.
iWorld
Micro-Dramas Surge in India, Redefining Mobile Content Habits
Meta-Ormax study maps rapid rise of short-form storytelling among 18–44 audiences.
MUMBAI: Micro-dramas aren’t just short, they’re the snack that ate Indian entertainment, and now everyone’s bingeing between the sofa cushions. Meta, in partnership with Ormax Media, has released ‘Micro Dramas: The India Story’, a comprehensive study unveiled at the inaugural Meta Marketing Summit: Micro-Drama Edition. The report maps how the vertical, bite-sized format is reshaping content consumption for mobile-first audiences aged 18–44 across 14 states.
Conducted between November 2025 and January 2026 through 50 in-depth interviews and 2,000 personal surveys, the research reveals that 65 per cent of viewers discovered micro-dramas within the last year proof of explosive adoption. Nearly 89 per cent encounter the format through social feeds and recommendations, making algorithm-driven discovery the primary engine rather than active search.
Key viewing patterns show a median of 3.5 hours per week (about 30 minutes daily) spread across 7–8 short sessions. Consumption peaks between 8 pm and midnight, with additional spikes during commutes and work breaks classic “in-between moments” that the format fills perfectly. Around 57 per cent of viewing happens in ambient mode (while doing something else), and 90 per cent is solo, enabling more intimate, personal storytelling.
Romance, family drama and comedy lead genre preferences. Audiences show growing openness to AI-generated content, 47 per cent find it unique and creative, while only 6 per cent say they would avoid it entirely. Regional languages are surging after Hindi and English, Tamil, Telugu and Kannada dominate consumption.
Meta, director, media & entertainment (India) Shweta Bajpai said, “Micro-drama isn’t a passing trend, it’s rewriting the rules of Indian entertainment. In under a year, an entirely new category of platforms has emerged, built audience habits from scratch, and created a business vertical that is scaling fast.”
Ormax Media founder-CEO Shailesh Kapoor added, “Micro-dramas are beginning to show the early signs of becoming a distinct content category in India’s digital entertainment landscape. When a format aligns closely with how audiences naturally engage with their devices, it has the potential to scale very quickly.”
The study proposes ecosystem-wide responsibility, universal signposting of commercial intent, shared accountability among advertisers, platforms, creators, schools and parents, built-in safeguards, and formal media literacy in schools.
In a feed that never sleeps and a day that never stops, micro-dramas have slipped into the cracks of every spare minute turning 30-second stories into the new national pastime, one vertical swipe at a time.
