English Entertainment
The Bad Boys are coming for you in the simulcast premiere of the badass blockbuster of 2020 – Bad Boys For Life on &flix and &Pictures
MUMBAI: ‘Whatcha gonna do when they come for you?’ Tough, unbeatable and truly BADASS – the Bad Boys are back! And this time it’s BIGGER and BADDER than ever before! Presented by VIVO for the first time on Indian television, &flix, the destination of the biggest Hollywood hits, brings the#FirstDayFirstShowAtHome of the ultimate action-franchise and blockbuster entertainer –‘#BadBoysForLife.’ Joining forces ‘one last time’ are the dynamic duo #WillSmith and #MartinLawrence in the explosive Hollywood blockbuster of 2020 that is set to premiere on Sunday, 26 July at 1 pm and 9 pm on &flix in English and the Hindi simulcast at 1 pm on &Pictures. Buckle-up for a thrill ride this Sunday and#LeapForth into a world of fast cars, intense chases and one exhilarating climax with a bro-code to being ‘badass’ for life!
After a record-breaking premiere of Jumanji: The Next Level on &flix and a simulcast in Hindi on Zee Cinema that garnered a whopping 34 million reach, the channel returns with yet another premiere that is sure to take viewers on an ultimate high! With a dash of comedy, a pinch of bromance and truckloads of high-voltage action – here’s a film that’s definitely a third-time charm, one that truly ‘penetrates your soul’ with all its heart! Directed by the Belgian filmmakers Adil El Arbi and Bilall Fallah, the film features the two-time Academy Award-nominee Will Smith and Martin Lawrence back in business after 17 years along with Primetime Emmy Award Winner Joe Pantoliano as Captain Howard and the High School Musical fame Vanessa Hudgens among others.
In its latest instalment an enthusiastic Mike and his rather reluctant partner-in-crime Marcus team up with a single motto that forms the crux of their unwavering bond – ‘Ride together, die together.’ However, with age catching up and the two hitting midlife crisis, things are not all hunky and dory for the duo. It’s old-school meets new-cool this time as the badass cops join hands with AMMO – an elite team of young cops trained to take down the most ruthless criminals. In a deadly turn of events, the team sets off on an epic hunt for the most vicious Mexican drug cartel that raises all fire and hell upon their lives.
With pulsating action and adrenaline boosting explosions, it’s not just a film but a 25-year legacy that inspires you to be a badass for life!
Witness the badass bromance, edge-of-seat action and witty one-liners in the First Day First Show at Home of ‘Bad Boys For Life’ this Sunday, 26 July , 1PM and 9PM on &flix SD and HD and 1PM on &Pictures
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English Entertainment
The end of Freeview? Britain debates switching off aerial tv by 2034
UK: The aerial is losing its grip. As broadband becomes the default way Britons watch television, the UK is edging towards a decisive, and divisive, question: should Freeview be switched off by 2034? The issue, highlighted in reporting by The Guardian, has exposed deep fault lines over access, affordability and the future of public service broadcasting.
For nearly 25 years, Freeview has delivered free-to-air television from the BBC, ITV, Channel 4 and Channel 5 to almost every corner of the country. Even now, it remains the UK’s largest TV platform, used in more than 16m homes and on around 10m main household sets. Yet the same broadcasters that built it are now pressing for its closure within eight years.
Their case rests on a structural shift in viewing. Smart TVs, superfast broadband and the Netflix-led streaming boom have pulled audiences online. Advertising economics have followed. By 2034, the number of homes using Freeview as their main TV set is forecast to fall from a peak of almost 12m in 2012 to fewer than 2m, making digital terrestrial television, or DTT, increasingly costly to sustain.
But critics say the rush to switch off risks abandoning those least able, or least willing, to move online.
“I don’t want to be choosing apps and making new accounts,” says Lynette, 80, from Kent. “It is time-consuming and irritating trying to work out where I want to be, to remember the sequence of clicks, with hieroglyphics instead of words. If I make a mistake I have to start again.”
Lynette is among nearly 100,000 people who have signed a “save Freeview” petition launched by campaign group Silver Voices. She fears the government is about to “take [Freeview] away from me and others who either don’t like, can’t afford, or can’t use online versions”.
Official figures underline the fault lines. A report commissioned by the Department for Culture, Media and Sport estimates that by 2035, 1.8m homes will still depend on Freeview. Ofcom’s analysis shows those households are more likely to be disabled, older, living alone, female, and based in the north of England, Wales, Scotland and Northern Ireland.
Freeview is owned by the public service broadcasters through Everyone TV, which also operates Freesat and the newer streaming platform Freely. After two years of review, DCMS is expected to set out its position soon, drawing on three options proposed by Ofcom: a costly upgrade of Freeview’s ageing technology; maintaining a bare-bones service with only core PSB channels; or a full switch-off during the 2030s.
The broadcasters have rallied behind the third option. They argue that 2034 is the logical cut-off, when transmission contracts with network operator Arqiva expire. By then, they say, the cost of broadcasting to a dwindling audience will far outweigh the returns from TV advertising.
Ofcom agrees a crunch point is approaching. In July, the regulator warned of a “tipping point” within the next few years, after which it will no longer be commercially viable for broadcasters to carry the costs of DTT.
Others see risks beyond economics. Questions remain over whether internet TV can reliably deliver emergency broadcasts, such as the daily Covid updates, in the way that universally available DTT can. The UK radio industry has also warned that an internet-only future for TV could push up distribution costs and force some radio stations off air if PSBs no longer share Arqiva’s mast network.
“It is a political hot potato,” says Dennis Reed, founder of Silver Voices, who says he has “dissociated” his organisation from the government’s stakeholder forum, which he believes is “heavily biased” towards streaming.
The Future TV Taskforce, representing the PSBs, counters that moving online could “close the digital divide once and for all”. “We want to be able to plan to ensure that no one is left behind,” a spokesperson says, adding that rising DTT costs could otherwise mean cuts to programme budgets.
The numbers show the scale of the challenge. Of the 1.8m Freeview-dependent homes projected for 2035, around 1.1m are expected to have broadband but not use it for TV. The remaining 700,000 are forecast to lack a broadband connection altogether.
Veterans of the analogue switch-off, completed in 2012 after 76 years, recall similar fears of “TV blackout chaos”. Around 6 per cent of households were labelled “digital refuseniks”, yet a targeted help scheme and a national campaign, fronted by a robot called Digit Al voiced by Matt Lucas, delivered a largely smooth transition.
This time, the BBC is less keen to foot the bill. Tim Davie, the outgoing director general, has said the corporation should not fund a comparable support programme for a Freeview switch-off.
Research for Sky by Oliver & Ohlbaum suggests that with early awareness campaigns and digital inclusion measures, only about 330,000 households would ultimately need hands-on help ahead of a 2034 shutdown.
Meanwhile, viewing habits continue to fragment. Audience body Barb says 7 per cent of UK households no longer own a TV set, choosing to watch on other devices. In December, YouTube overtook the BBC’s combined channels in total UK viewing across TVs, smartphones and tablets, albeit measured at a minimum of three minutes.
That shift may accelerate. YouTube has recently blocked Barb and its partner Kantar from accessing viewing session data, limiting transparency just as online platforms consolidate power.
“When the government chose British Satellite Broadcasting as the ‘winner’ in satellite TV it was Rupert Murdoch’s Sky instead that came out on top,” says a senior TV executive quoted by The Guardian. “There already is such an outsider ready to be the winner in the transition to internet TV; it is YouTube.”
Freeview’s future now hangs on a familiar British dilemma: modernise fast and risk exclusion, or protect universality and pay the price. Either way, the aerial’s days as king of the living room look numbered.








