iWorld
Digital i report: Streamers ditch originality for the comfort of repeats
MUMBAI: The golden age of eak TV is officially over, and streamers are reaching for the remote to change channels back to safety. According to Digital i’s latest report, Are You Still Watching?, the number of original series launched across Netflix, Disney+, Max and Prime Video has plummeted from 395 in 2022 to just 279 in 2024—a brutal 29 per cent drop that signals the end of the industry’s spend-happy commissioning spree. Producers have been talking about this in whispers in streamers office corridors, but now data has backed what was being speculated about as a fact.
The shift is as dramatic as it is telling. For the first time since streaming became king, licensed content has overtaken original programming in viewing share, with audiences voting with their eyeballs for the familiar over the fresh. The data shows this crossover happened in Q3 2023, marking a watershed moment for an industry built on the promise of endless new content.
What’s driving this nostalgia kick?
Viewers are apparently more interested in rewatching Grey’s Anatomy for the umpteenth time than diving into yet another dystopian thriller. The medical drama alone racked up more than two billion global viewing hours in 2024, whilst House M.D. continues to diagnose audience boredom with reliable regularity.
This retreat to the familiar isn’t just about comfort viewing—it’s cold, hard economics. Original content costs a fortune and carries enormous risk, whilst proven library titles offer predictable returns. Streamers, facing mounting pressure from investors and increasingly choosy subscribers, are discovering that sometimes the best new content is actually very old content.
Netflix, however, remains the rebel in this conformist crowd. Of its top 25 most-viewed titles in 2024, 14 were based on original concepts—more than any other service. Whilst competitors are playing it safe, Netflix is still betting big on fresh ideas, suggesting the streaming giant believes originality remains its secret weapon for global domination.
The industry’s new obsession with data is reshaping what gets made and what gets axed. Completion rates have emerged as the ultimate judge and jury, with Amazon’s video game adaptation Fallout boasting a stellar 67 per cent completion rate that helped secure its success. Netflix’s The Gentlemen earned renewal with a respectable 61 per cent, whilst the mythology-themed Kaos was cancelled after managing only 47 per cent—a harsh reminder that in streaming, finishing is everything.
The data reveals another trend: shorter is sweeter. Season ones with three to six episodes achieved average completion rates of 48 per cent, whilst bloated 11-15 episode seasons managed a measly 26 per cent. In an attention economy, brevity isn’t just the soul of wit—it’s the key to renewal.
This recalibration reflects a maturing industry learning to balance creative ambition with commercial reality. The battle for viewer attention has evolved into a war for consistent, measurable engagement. Streamers are discovering that keeping audiences watching is harder than getting them to start, and that sometimes the most innovative strategy is knowing when not to innovate at all.
As the dust settles on peak TV’s decline, one thing is clear: in the streaming wars, nostalgia isn’t just a marketing tool—it’s becoming the ultimate weapon.
iWorld
Hari Om OTT premieres Bhagwan Jhulelal Sai series
First devotional show on Jhulelal Sai streams in Sindhi and Hindi.
MUMBAI: Hari Om OTT just turned the tide for devotional dramas because when Jhulelal Sai steps onto the small screen, even the waves start streaming in two languages. Hari Om OTT, India’s leading devotional streaming platform launched in June 2024, has premiered Bhagwan Jhulelal Sai, a milestone series that marks the first-ever show dedicated to the revered deity of the Sindhi community. The show, starring Manish Raisinghani as Jhulelal Sai / Varun Dev and Parag Tyagi as Mirkh Shah, launched on Jhulelal Jayanti and is available in both Sindhi and Hindi.
The series chronicles the life, journey and teachings of Bhagwan Jhulelal Sai, blending mythology with historical elements to deliver an authentic and inspiring narrative for global audiences.
Manish Raisinghani said, “Portraying Jhulelal Sai and Varun Dev was not just a role, it was a spiritual journey and a moment of immense pride for my family and community. This one holds a special place in my heart, especially since the show is coming in our very own Sindhi language as well.”
Parag Tyagi added, “Jhulelal Sai is the first-ever show that beautifully blends mythology with history. Hari Om has achieved something truly special by bringing the stories of our gods and goddesses to audiences in their authentic language.”
Hari Om OTT CEO Avinash Dugar said, “With Bhagwan Jhulelal Sai, we’re excited to share this inspiring story with the Sindhi community and beyond. We will continue to showcase the stories of Indian culture and Sanatan Dharma to the world, presented in their own language.”
The premiere builds on Hari Om OTT’s track record of acclaimed devotional titles including Mata Lakshmi, Jai Jagannath, Shri Tirupati Balaji, Mata Saraswati and Chandra Dev, all focused on celebrating India’s cultural and spiritual legacy through high-quality storytelling.
In a streaming landscape crowded with fiction, Hari Om OTT is quietly proving that the most powerful stories aren’t made up, they’re the ones that have already inspired generations, now delivered straight to your screen in the language of devotion. Bhagwan Jhulelal Sai is now streaming on Hari Om OTT.
