Hindi
IMDb drops its 2025 mid-year movie chartbusters
MUMBAI: IMDb has rolled out its mid-year honour roll of Indian cinema, and the results are a spicy mix of box-office bangers, buzzy reunions, and high-octane sequels. Topping the Most Popular Indian Movies of 2025 So Far is ‘Chhaava’, directed by Laxman Utekar, with Vicky Kaushal, Rashmika Mandanna, and Akshaye Khanna winning over audiences and racking up serious page views from IMDb’s 250 million monthly global users.
On the flip side of the calendar, it’s Rajinikanth who’s still ruling hearts and headlines, as ‘Coolie’, helmed by Lokesh Kanagaraj and reuniting the superstar with Sathyaraj after nearly four decades, tops IMDb’s Most Anticipated Indian Movies (July–December 2025) list.
“We’re honored that Chhaava has topped the IMDb Most Popular Indian Movies of 2025 So Far list,” said Chhaava director Laxman Utekar. “What makes this recognition truly special is that it comes directly from the fans. Their overwhelming love and positive reception for this Maddock film and performances, led by Vicky Kaushal, Rashmika Mandanna, and Akshaye Khanna, have been incredibly heartening. This inspires our entire cast and crew to continue creating stories that resonate with audiences worldwide.”
“This recognition from IMDb reflects the incredible excitement our fans have shown worldwide,” said Coolie director Lokesh Kanagaraj. “The reunion of legends Rajinikanth and Sathyaraj after 38 years has created magic on screen, and we hope what we’ve created will resonate with audiences and match their expectations.”
IMDb’s most popular Indian movies of 2025 (so far):
1. Chhaava
2. Dragon
3. Deva
4. Raid 2
5. Retro
6. The Diplomat
7. L2: Empuraan
8. Sitaare Zameen Par
9. Kesari Chapter 2: The Untold Story of Jallianwala Bagh
10. VidaaMuyarchi
Most anticipated Indian movies (July–December 2025):
1. Coolie
2. War 2
3. The Raja Saab
4. Aankhon Ki Gustaakhiyan
5. Saiyaara
6. Baaghi 4
7. Son of Sardaar 2
8. Hridayapoorvam
9. Mahavatar Narsimha
10. Alpha
A notable crossover emerges as Mohanlal, Ajay Devgn, and Pooja Hegde each feature in films listed in both charts – doubling their screen mileage and their fanbase buzz.
While Hindi films dominate both rankings, Tamil, Telugu, and Malayalam cinema flex their star power too with ‘Mahavatar Narsimha’ expected to release in five languages, proving that pan-Indian storytelling is no longer just a buzzword, but a blockbuster reality.
IMDb’s rankings are based on actual page views of movies with at least a 6.0 rating and 10,000 votes, solidifying the platform’s role as a fan-driven pulse-check on global cinema appetite.
To view the full list, watch trailers, or add these titles to your watchlist, head to IMDb.com — because, clearly, everyone’s watching.
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Hindi
Dhurandhar the revenge storms past Rs 1,000 crore in a week, rewrites box office records
Aditya Dhar’s spy thriller sets fastest run to Rs 1,000 crore with record-breaking weekday hold
MUMBAI: The box office has a new juggernaut—and it is moving at breakneck speed. Dhurandhar the revenge has smashed past the Rs 1,000 crore mark worldwide in just a week, clocking a staggering Rs 1,088 crore and resetting the rules of the blockbuster game.
Backed by Jio Studios and B62 Studios, and directed by Aditya Dhar, the spy action sequel opened to the biggest weekend ever for an Indian film globally—and then refused to slow down. Unlike typical tentpole releases that taper off after Sunday, this one powered through the weekdays with rare muscle, posting Rs 64 crore on Monday, Rs 58 crore on Tuesday, Rs 49 crore on Wednesday and Rs 53 crore on Thursday.
The numbers stack up to a formidable first-week haul. India collections stand at Rs 690 crore nett and Rs 814 crore gross, while overseas markets have chipped in Rs 274 crore, taking the worldwide total to Rs 1,088 crore in just eight days.
The film’s opening weekend alone delivered Rs 466 crore, laying the foundation for what is now being billed as the fastest climb to the Rs 1,000 crore club in Indian cinema. Every single day of its first week has set fresh benchmarks, from the highest opening weekend to the strongest weekday hold—metrics that typically separate hits from phenomena.
A sequel to the earlier hit Dhurandhar, the film has not just built on its predecessor’s momentum but obliterated previous records, emerging as the biggest global blockbuster run by an Indian film to date.
At this pace, the film is not merely riding a wave—it is creating one.
