Hindi
Salman Khan is best admired star on social media
MUMBAI: Salman Khan beat Amitabh Bachchan and Shahrukh Khan to become the most admired star on the social media.
Looks like with two back-to-back Rs 100 crore hits last year in Ek Tha Tiger and Dabangg 2 and the unprecedented success of Bigg Boss 6, Khan has once again proved that he‘s the undisputed king of Bollywood, box office and the idiot box.
The Dabangg actor also won an award for the best use of social media at this year‘s Zee Cine Awards. A research conducted by Asterii Analytics said, “We used sophisticated web analysis tools to scan millions of pages on Facebook, Twitter, Google+, YouTube, blogs and online forums to quantify the total volume of buzz and conversations on Bollywood stars.
A shortlist of 30 possible candidates was developed in the first phase. We developed 25 parameters to rank the candidates on the total volume of buzz. Using this four-phased process, we came to a single score and the top three candidates were Salman, Shahrukh and Bachchan. And Salman Khan emerged as the winner with a consistently high margin.”
Salman has 7,516,597 fans on Facebook and 3,266,882 followers on Twitter. Not just that, the actor has fan club pages on Facebook and Twitter with over 757,057 and 577,919 followers respectively.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
