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‘Happy New Year’ continues its successful run

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MUMBAI: Rekha on screen after a long gap does not quite manage to attract the audience in Super Nani. Her fans, old as well as those who grew up on her legend did not quite fancy her in the role of a suppressed grandmother. The film has had a very poor opening despite limited screenings. The film has collected Rs 1.4 crore for the opening weekend.

 

Roar, with its curiosity value and effective promos, has opened fairly well despite a theme with appeal mainly limited to young audience and has managed to put together a face saving Rs 4.7 crore for its first weekend.

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Happy New Year collection figures vary from one media to another as in most cases they are guess estimates and according to loyalists since the figures are being released to media only by the producers with other sources having been blocked.

 

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However, according to numbers  put together with inputs from circuits, the first week total for the film is expected to be from Rs 128 – 130 crore. While the opening day collections were huge, the gap between the opening day and the days between days that followed started widening each day. The film faces poor opposition from two new releases, Super Nani and Roar which will help the film with decent figures in its second week.

 

Haider has added Rs 45 lakh in its fourth week to take its four week tally to Rs 40.40 crore.

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Bang Bang has collected about Rs 1 crore in fourth week to take its four week total to Rs 145.65 crore.

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Kridhan Infra enters film production with AI-led feature film

Infra firm debuts AI-powered film marking RSS centenary

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MUMBAI: Kridhan Infra Limited is swapping hard hats for headsets. The infrastructure company has announced its entry into film production and media technology through its subsidiary, Kridhan Mediatech Private Limited, with the nationwide theatrical release of Shatak: Sangh Ke 100 Varsh, an AI-led feature film.

With Shatak, the company is not just stepping into cinema but staking a claim in what it describes as one of the world’s early full-length AI-driven feature films. Artificial Intelligence has been embedded across the creative and production process, from script visualisation and environment creation to modelling and production design.

The film commemorates 100 years of the Rashtriya Swayamsevak Sangh, tracing defining moments, personalities and historical phases that shaped its journey. By combining archival storytelling with algorithm-powered creativity, the project attempts to blend heritage with high technology.

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For Kridhan Mediatech, this is only the opening scene. The subsidiary’s broader ambition spans AI, CGI, virtual production systems and scalable content models for both theatres and digital platforms. The move signals a strategic diversification for Kridhan Infra, traditionally rooted in engineering and construction.

The timing aligns with India’s growing push to become a global AI powerhouse. At the 2026 AI Impact Summit, prime minister Narendra Modi urged innovators to design in India and deliver to the world. Kridhan Mediatech’s initiative positions itself squarely within that narrative, aiming to export technology-enabled storytelling beyond domestic audiences.

India’s media and entertainment industry, valued at over Rs 2.5 lakh crore, alongside a rapidly expanding AI economy projected to cross Rs 1.4 lakh crore in the coming years, offers fertile ground at the intersection of cinema and code.

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“With Shatak, we proudly present one of the world’s first AI-led full-length feature films while marking our strategic entry into film production and media technology through our subsidiary,” the company said in a statement. “Our vision is to combine India’s rich narrative heritage with forward-looking innovation. This is just the beginning of building globally competitive, technology-enabled cinematic experiences.”

From infrastructure to imagination, Kridhan’s latest venture suggests that in today’s India, even storytelling can be engineered.

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