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Five reasons why you should watch ‘Family Aaj Kal’

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Mumbai: Remember the first time you wanted to introduce your partner to your parents? It can be the most nerve-wracking thing to do! And even if you feel your family is quite modern or open-minded, how quickly would that approach go out the window if they found out that the love of your life is a cab driver?!

The latest dramedy by Civic Studios, “Family Aaj Kal,” explores a similar dilemma faced by Meher, a 20-something girl who decides to introduce her boyfriend, Gaurav, who is also a cab driver, to her family. A hilarious yet relatable portrayal of the generation gaps in every family, and a mirror to the class biases that any progressive middle-class family can fall victim to, “Family Aaj Kal” explores the quirky, wholesome world of the Kashyaps.

Created by producer and Civic Studios founder Anushka Shah, along with director Parikshit Joshi and writer Manoj Kalwani, the five-episode show is streaming now on Sony LIV. Here are five reasons why you should watch this sweet dramedy with a big heart!

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Modern love with aaj kal ki family: What counts as modern love in today’s time? Meher’s parents have survived an interfaith marriage against their family’s wishes. So they’re sure they won’t let their children go through the same, like their ‘gaye-guzre’ elders. But when Meher falls in love with someone who is considered to be from a different class background, her family can’t see eye to eye due to their own concerns for their daughter’s future. Who will win in this battle of love vs class bias?

Stellar ensemble cast led by Apoorva Arora: Fans of Apoorva Arora will be excited to see her in a brand new avatar for this family dramedy. After hit youth shows like College Romance and Firsts, her character Meher will strike a relatable chord in all youngsters caught between independence and family. She is joined by the extremely talented Sonali Sachdev as her mother. The entire cast was privileged to share screen with the late Nitesh Pandey as her father. Both parents light up the screen with their comic timing. Not to mention, fresh faces Prakhar Singh and Aakarshan Singh, and veteran Masood Akhtar.

Dignity in every job: If we were to take a step back and notice, we would find a general distaste for blue-collar jobs among our friends and families. “Family Aaj Kal” takes a mirror to society to extend empathy, respect and dignity to professions like drivers. It also sheds a light to the struggles of Indian youth who, like Gaurav, Meher’s boyfriend, have graduated with esteemed degrees only to either be unemployed or work in a job where they’re overqualified.

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Beyond fairy tales: Usually, most movies end with people from two religions fighting against all odds to get married. But what happens when they are settled into their lives? We rarely ever see the happily-ever-after or just the regular lives of these couples. To see what her parents Faiza and Shekhar Kashyap have built for themselves is not only heartwarming but also gives hope for the future!

Bridging the generation gap: Parents and children often have differing opinions on relationships, marriage, class, and everything in between. The journey of the Kashyaps is sweet, wholesome one where they figure how to bridge of these gaps with thoda empathy, forgiveness and acceptance by both sides!

So don’t forget to tune into ‘Family Aaj Kal’, live on Sony LIV from 3 April onwards!

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iWorld

Prime Video unveils biggest India originals slate yet

Nearly 55 titles across languages signal deeper push into films, series

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MUMBAI: Prime Video is turning up the volume on Indian storytelling, unveiling its largest-ever Originals slate at the ‘Prime Video Presents’ showcase, with close to 55 series and films spanning languages, genres and formats.

The new lineup, which stretches across Hindi, Tamil and Telugu, signals a clear intent: go bigger, go wider, and meet audiences wherever they are watching, whether on streaming screens or in cinemas. Alongside Originals, the platform also announced a fresh theatrical slate under Amazon MGM Studios, marking a deeper step into the big-screen business.

Among the headline acts is The Revolutionaries, a large-scale drama from Nikkhil Advani starring Bhuvan Bam and Rohit Saraf. The slate also features Matka King with Vijay Varma, Raakh starring Ali Fazal and Sonali Bendre, and Lukkhe, which marks rapper King’s acting debut. Adding a genre twist is Vansh – The Kalyug Warriors, positioned as India’s first homegrown Hindi superhero series for streaming.

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Familiar favourites are also making a return, with new seasons of Farzi, Panchayat, Call Me Bae, Dupahiya, Dahaad and The Traitors in the pipeline, reinforcing the platform’s bet on established franchises.

Regional storytelling gets a notable push. Highlights include a Telugu adaptation of The Traitors hosted by Teja Sajja, the drama Guvvala Cheruvu Ghat, and Tamil titles such as Exam and returning seasons of Vadhandhi and Inspector Rishi.

The slate also opens new creative partnerships. Hrithik Roshan’s HRX Films steps into streaming with Storm and Mess, while Alia Bhatt’s Eternal Sunshine Productions backs Don’t Be Shy. Production houses including Excel Entertainment, Tiger Baby Films and The Viral Fever further deepen the creative bench.

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On the theatrical front, the platform is lining up five films, including Raftaar starring Rajkummar Rao and Keerthy Suresh, VIBE directed by Kunal Kemmu, Dilkashi with music by A. R. Rahman, Nayyi Navelli featuring Yami Gautam, and Kuku Ki Kundli starring Wamiqa Gabbi.

According to Prime Video India director and head of Svod business Shilangi Mukherji, India remains central to the platform’s global growth, ranking among its top markets for new subscribers. She noted that nearly two-thirds of users watch content in more than four languages, underlining a growing appetite for diverse storytelling.

Prime Video India director and head of originals Nikhil Madhok, said the new slate reflects a continued push towards bold, culturally rooted narratives with global appeal.

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In short, Prime Video is not just adding titles, it is widening the lens. From small-town dramas to superhero sagas and cinema-ready spectacles, the message is simple: more stories, more voices, and far more ways to watch them.

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