News Broadcasting
The LGBT challenge for Indian TV & cinema
It’s said that a country’s art and culture reflect its plight in the best way. At the present time its TV and films that have become the biggest platform to showcase the visual arts. And in the present situation when the lesbian, gay, bisexual, transgender (LGBT) community is facing a tough time after the Supreme Court reinstated that gay sex will remain a criminal offence, it seems so apt.
On Wednesday, the Supreme Court gave a severe blow to the largely-closeted homosexual community in the world’s largest democracy. It overturned a 2009 ruling by Delhi’s High Court, which had lifted a ban on gay sex between consenting adults that dates back to 1861. According to SC, only parliament can now change the penal code. Under Section 377 of the Indian Penal Code (IPC), sexual activities “against the order of nature” – including homosexual acts – are a criminal offence.
The law says: “Whoever voluntarily has carnal intercourse against the order of nature with any man, woman or animal, shall be punished with imprisonment for life, or with imprisonment of either description for term which may extend to ten years, and shall also be liable to fine.”
While the law has can be extrapolated to cover even heterosexual couples indulging in oral or anal intercourse, it’s the folks with alternate sexual orientation (the LGBT community) that are the most troubled.
Apparently, if we look back, we would realise that "mainstream" commercial TV and cinema (whicht are not just the most disposable form of art in the country, but also the most common source of entertainment across masses) are mostly devoid of any content that features the LGBT community.
![]() |
|---|
|
'Maryada…lekin Kab Tak' featured a gay couple but the main plot overshadowed this sub-plot
|
While in the world cinema space, we have had aesthetically and artfully shot films like Brokeback Mountain,All About Love, Another Country among many others, in India, the ones that feature gay relationship are either very caricaturish in nature (like Dostana that largely made fun of a gay relationship), or aren’t promoted enough to reach the masses.
Films like Fire by Deeepa Mehta, My Brother Nikhil and I Am by Onir, one of the short films in Bombay Talkies by Karan Johar and Dunno Y…Na Jaane Kyun have tried to bring up the topic to the fore, but our country’s film certification board hasn’t let them reach the audience the way they were supposed to. Others like Girlfriend sank without a trace as most of the scenes were just meant to provide cheap thrills rather than focusing on the issue. There have been many other independent films, like You Can't Curry Loveabout an Indian gay, Vikas who works in London that has won awards and acclaim at international film festivals but in India remain confined to the certain sections.
![]() |
|---|
|
Mitchell and Cameron in 'Modern Family'
|
The situation on TV seems to be even worse. While the world TV is opening up to a cross-section of issues, we seem to be lagging far behind with most of our shows still featuring the saas-bahu sagas.
So if, internationally, we have shows such as Mom and Dads, an Israeli series involving a menage-a-trois between two gay men – Ima and AbaZ and the mother of their child; Modern Family, a comedy that tastefully puts across the relationship of a gay couple; The New Normal that follows a wealthy Californian gay couple – Bryan (Andrew Rannells) and David (Justin Bartha) – who have a child through a surrogate mother; Sean Saves the World about a gay father and his teenaged daughter; and The Fosters produced by Jennifer Lopez featuring a lesbian couple and their three kids, airing on TV, in India, we can hardly recall anything similar.
While there’s no serial featuring a gay couple in the lead plot, even the side-kicks who have portrayed gay characters haven’t been fleshed out well. One of the first official gay characters was Petha, portrayed by Deven Bhojani in Tara almost two decades ago, that even a hardcore TV viewer would hardly be able to recall. Maddy in Jassi Jaisi Koi Nahi portrayed by Rajesh Khera was another character that showed an alternate sexuality openly, however it was more comical in nature and barely brought out the issues of the community.
![]() |
|---|
|
'Moms and Dads' is about a gay couple raising a baby
|
It was only in 2010 when Imagine TV reprised a popular Telugu serial Rakth Sambandham that dealt with the character of a closeted eunuch, the industry had thought that Indian TV is coming of age. But unfortunately, the serial, Rakt Sambandh starring Dhruv Bhandari and Sriti Jha, didn’t work its magic on the audience and met with a natural death very soon.
Another show, Maryada…Lekin Kab Tak had a strong sub-plot featuring a gay relationship portrayed by actors Dakssh Ajit Singh and Karaan Singh. But that too didn’t make much difference as it was overshadowed by the main storyline.
At a time when the entire country is debating on what could be done to protect the rights of the LGBT community and is suggesting various measures from bringing in young leaders and disowning the judiciary, shouldn’t the creative industry instead of shouting and screaming on social-media platforms come forward and work towards putting the spotlight on this minor community whose members can now be labelled as criminals just because they love someone from the same sex!
News Broadcasting
Rising Bharat Summit 2026 spotlights India’s global ascent
PM Modi keynotes two-day event with ministers, diplomats and icons in New Delhi.
MUMBAI: India didn’t just host a summit, it threw a coming-out party for a nation ready to own the global stage. The News18 Rising Bharat Summit 2026, held on 27–28 February in New Delhi, emerged as a high-octane platform for ideas, vision and strategic dialogue, uniting national leadership, global policymakers, industry titans, defence strategists and cultural icons under the theme “Strength Within”.
Prime minister Narendra Modi set the tone with a keynote that framed India’s resurgence as a reclaiming of lost potential built over generations. “In previous industrial revolutions, India and the Global South were merely followers,” he said. “But in the era of Artificial Intelligence, India is a partner in decisions and shaping them.” He highlighted the country’s thriving AI startup ecosystem and the recent AI Impact Summit attended by over 100 nations.
Union minister Piyush Goyal (Commerce & Industry) stressed India’s readiness to scale exports and deepen manufacturing, while Ashwini Vaishnaw (Railways, I&B, Electronics & IT) positioned technology and infrastructure as twin engines of growth, especially in AI and digital trust. Jyotiraditya Scindia (Communications & North East Development) revealed India’s ambition to lead in 6G through the Bharat 6G Alliance and partnerships with over 30 countries.
Global voices added depth: former Singapore Foreign Minister George Yeo called India’s development “self-sustaining” and strategically vital; ex-UK Chief of Defence Staff General Sir Nick Carter asserted India deserves a seat at the great powers’ table; and former US Commerce Secretary Carlos M. Gutierrez joined ambassadors from Norway, Germany and Sweden in discussions on geopolitical realignment, sustainability and defence preparedness.
Other speakers included veteran investor Ramesh Damani, World Gold Council CEO David Tait, Vianai Systems founder Dr Vishal Sikka, DeepTech Bharat Foundation co-founder Shashi Shekhar Vempati, defence experts Rajesh Kumar Singh, Sunil Ambekar, Patrick McGee, Tom Cooper and Adrian Fontanellaz, plus cultural and sporting icons Kangana Ranaut, Saina Nehwal, PR Sreejesh, Mohammed Shami, Yuzvendra Chahal, Mithali Raj, Anil Kapoor and Yami Gautam.
The summit was supported by Jio Financial Services (Presenting Partner), Phonepe and DS Group (Co-Presenting Partners), Pernod Ricard India and Kia Seltos (Powered By & Driven By), state governments of Uttar Pradesh, Chhattisgarh and Uttarakhand (State Partners), and associate partners including NSE, M3M Foundation and Reliance Industries.
Broadcast live across News18 Network, CNBC-TV18 and CNBC Awaaz, the event reinforced India’s image as a confident democracy and emerging global power proving that when strength comes from within, the world can’t help but watch.









