English Entertainment
Zee Café to premiere The Son Season 2 from Nov 25
MUMBAI: Based on the New York Times best seller and Pulitzer Prize-nominated novel, The Son is a sweeping family saga that spans 150 years and three generations of the McCullough family. The Son Season 2 premieres from November 25, 2019 on Weekdays at 10 only on Zee Café.
The ten-episode, one-hour drama traces the story of Eli McCullough’s (Pierce Brosnan) transformation from good-natured innocence to calculated violence, as he loses everything on the wild frontier, setting him on the path to building a ranching-and-oil dynasty of unsurpassed wealth and privilege. The Son deftly explores how Eli’s ruthlessness and quest for power triggers consequences that span generations, as the McCulloughs rise to become one of the richest families reigning in Texas.
English Entertainment
Ellison takes his Paramount-Warner Bros case straight to theater owners
The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting
CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.
The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.
“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”
It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.
Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.
He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.
“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”
Fine words. The regulators, however, will have the last one.
