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What do you do, when you find a corpse roaming your corridors? Find out as &flix premieres The Possession of Hannah Grace

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MUMBAI: Imagine if you are in a morgue working the night shift, you hear the door knock and you’re the only one on duty; creepy, right? &flix, the destination for the biggest Hollywood hits, brings you yet another nail-biting horror movie. Get ready to lose all control as the channel premiers The Possession of Hannah Grace on September 22, 2019, at 1 PM and 9 PM. Directed by Diederik Van Rooijen, the movie features famous stars of television – Shay Mitchel, essays the lead role of Megan Reed, along with Three-Time People’s Choice Award winner Stana Katic, who plays the role of her best friend Lisa Roberts, and budding artists Kirby Johnson, who plays the role of Hannah Grace/ Cadaver.

Megan is suffering from a PTSD caused by the sudden death of her colleague. After spending time in rehab, the former police officer Megan Reed accepts a job offered by her friend Lisa Roberts to work the graveyard shift in a hospital morgue. One random day, Megan Reed takes delivery of a disfigured cadaver of a girl named Hannah Grace during her shift, raising multiple questions in her mind. Post the arrival of body, Megan starts noticing paranormal activities and sets out to investigate the same. To her horror, she encounters a man trying to burn the body in the incinerator, but Megan manages to get him arrested. Soon Megan’s suspicions grow as Hannah Grace starts recovering from her injuries. Will she realize that the disfigured cadaver is possessed by a demon or not? You must watch it to find out.

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English Entertainment

Ellison takes his Paramount-Warner Bros case straight to theater owners

The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting

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CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.

The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.

“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”

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It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.

Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.

He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.

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“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”

Fine words. The regulators, however, will have the last one.

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