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Sicario premiering on Star Movies Select HD

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MUMBAI: Directed by Denis Villeneuve, Sicario is a nail-biting drama that presents an idealistic FBI agent’s battle with her own emotions as she is introduced to a whole new world of violence and carnage along the lawless border area stretching between the U.S. and Mexico, as part of a clandestine black ops operation.

Starring Academy Award Winner Benicio Del Toro and Nominee Josh Brolin, this American crime-thriller drama film is a stark tale on the escalating war against drugs as the protagonist, Emily Blunt, tries to wrestle her own demons at the cost of the greater good. Led by an enigmatic consultant with a questionable past, an idealistic FBI agent Kate Macer finds herself caught between the boundaries of what can be regarded as moral and immoral.

Star Movies Select HD with its promise of bringing to you the finest stories, presents one of the most honest portrayals of the complexities of emotions, trust and betrayal against the backdrop of drug cartels across the US-Mexico border.

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The story features an immersive, antagonizing and anxiety building tale with terrific performances, stunning cinematography and an ominous score that promises intensely nerve-wrecking experience. It comes as no surprise that the movie was nominated for three Academy Awards in Cinematography, Sound Editing and Best Original Music Score. A riveting story that is sure to make you question if the end justifies the means – Sicario premiering on Star Movies Select HD at 9 PM on 24 December.

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English Entertainment

Ellison takes his Paramount-Warner Bros case straight to theater owners

The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting

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CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.

The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.

“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”

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It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.

Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.

He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.

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“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”

Fine words. The regulators, however, will have the last one.

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