English Entertainment
Pitch breaks barriers on Jimmy Kimmel Live
MUMBAI: We live in times when women are known to be fearless, powerful, intelligent and raring to go. It would not be wrong to state that women today are closer to achieving their dreams, no matter how impossible they may seem, than ever before. Be it the creative or corporate world, there is no industry where women haven’t made their mark. Arts, literature, finance, media, F&B and even sports, there are names of women that shine through in each field. The recent Olympics saw women shine through, winning India accolades with their talent, hard work and admirable skills. However, while success comex their way, it cannot be said that their triumphs are not without struggles. From facing sexism to gender-based doubts about their capability to threats to their general safety – women across the globe still fight battles to be accepted and seen as equals in a number of situations.
The second episode of brand new television series Pitch which premiered on Star World and Star World HD last week, showcases some of the very real struggles women today face inspite of their talent and capabilities. Pitch the story of a young pitcher, Ginny Baker, who becomes the first woman to play Major League Baseball for the San Diego Padres. But proving her mettle in a man’s game is not the only challenges young Ginnay has to face. From proving her worth to being accepted in the team as an equal to facing misogyny not only by her teammates but even her coach, Ginny has her work cut out for her. The second episode of the show, ‘The Interim’ delves deeper into Ginny’s struggles as she tries to establish herself as a baseball player and not just a pretty face.
The episode sees the team manager Al face flak for a video, shot a few years before, in which he talks about then AA-League player Ginny and how her beauty means that a lot of his guys would welcome her in the locker room – a sexist comment that simply waves off Ginny’s talent as a player. The episode has Ginny addressing this issue on her appearance on Jimmy Kimmel Live! where instead of taking part in a comedy bit about decorating the clubhouse called “Ginny Baker, Redecoraker”, she uses her time on the show to publicly support Al, calling him a good man, and to comment on a sports-related rape case that’s been in the news. “We don’t need to make sure every girl goes in the right room, we need to make sure that every boy knows it’s wrong to rape,” she says – A strong statement indeed in times when the number of rape cases and cases of violence against women seem to be skyrocketing.
Talking about the episode, co-creator Rick Singer said, “Jimmy couldn’t have been more amazing. We worked a little bit with him in terms of crafting how the scene was going to unfold, but within that we just sort of established that at the top of the scene they were just going to naturally speak to one another. A lot of that banter up top was improv’d. Jimmy was just interviewing Ginny Baker and Kylie was answering as Ginny Baker and it’s very natural and really interesting. Then, they sort of delve into the scene, but it was really fun. We also knew it was her first appearance on a nighttime talk show like this. So we knew that there were going to be these natural nerves on her part that were going to completely work for the scene and work for the character because it’s Ginny’s first appearance as well.”
He further added, “I have to give enormous credit to Kylie because we did this during a Jimmy Kimmel Live taping. They had an extended commercial break, but we had one take. We did that in one take and Kylie just absolutely nailed it. We were sitting there in the green room and all just on pins and needles because we knew there was no margin for error and it just came off perfectly. The actual words themselves were written by Dan Fogelman and that’s never a bad thing. It was really well done. I think we are really able to straddle that line without getting too preachy, but making a very valid point and the fact that all of these stories that get nationalized and become about other things when they’re really very simple stories about the fact that victims get blamed all the time, things get politicized. When it really just comes down to it, she says it’s just a question of right and wrong. I think Dan wrote the scene beautifully and Kylie delivered it. Delivering it on Kimmel in that way, it really came alive with that live studio audience reacting spontaneously. The audience had no idea what the content was. They had no idea what the context was. Ultimately, what they ended up hearing was this speech and it’s just a natural response once they figured out what the scene is about and what she was saying.”
Pitch airs on the channel every Tuesday at 9 pm.
English Entertainment
Ellison takes his Paramount-Warner Bros case straight to theater owners
The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting
CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.
The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.
“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”
It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.
Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.
He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.
“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”
Fine words. The regulators, however, will have the last one.








