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JEREMY WADE RETURNS IN ANIMAL PLANET’S ALL-NEW SERIES ‘JEREMY WADE’S DARK WATERS’; PREMIERES ON ANIMAL PLANET AND DISCOVERY PLUS ON JULY 06

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Biologist Jeremy Wade has spent the last 35 years solving mysteries that lurk in our planet’s rivers, lakes and seas. In 2017, he hung up his rod after nine seasons on Animal Planet’s one of the top-rated series, River Monsters, where he reeled in some of the rarest, most elusive and most dangerous creatures lurking beneath the water’s surface. But the waters of the world run deep; they’re dark and forever changing and many mysteries remain. Jeremy returns to Animal Planet in a captivating new series that brings him back to the water’s edge to investigate reports of the unimaginable and unexplained in JEREMY WADE’S DARK WATERS premiering July 6 at 9 PM on Animal Planet, Animal Planet HD and Discovery Plus app.

In JEREMY WADE’S DARK WATERS, Wade spotlights the bizarre, the weird and the mysterious as he investigates baffling, unsolved mysteries. He takes Animal Planet’s audiences on journeys beneath the water in remote areas, to islands lost in time and out into the open ocean to investigate reports that include, among others, entire fish species suddenly disappearing; unexplained sightings of mythical beasts; once thriving rivers now empty; and genetic oddities that may have produced the biggest monsters yet. 

“These are detective stories with a difference – fishy tales from remote waters, and from right under our noses,” said Wade. “If anybody thought that by now, I’d seen it all, you’re in for a surprise – as I was.”

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“Jeremy is adventurous, passionate and one of our best storytellers. We look forward to sharing new stories and mysteries with our audiences across all screens around the globe,” said Global President of Animal Planet Susanna Dinnage.

JEREMY WADE’S DARK WATERS episodes this season will include:

·         Italy’s Lake Monster – According to legend, one of Europe’s most beautiful lakes guards an ancient secret. First reported in the 16th century, the Lake Garda Monster has been described as a huge humped beast – half snake, half dinosaur. Jeremy travels to Northern Italy to investigate but is faced with more than one possible culprit. It turns out these lakes and rivers, despite being in one of Italy’s most populous regions, could be hiding more than one enormous beast worthy of the monster title. 

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·         Alaska’s Lost River Kings – Jeremy Wade travels to Alaska to investigate reports of the mysterious disappearance of the majestic King Salmon. His search for answers takes him from the state’s most heavily fished rivers to the mighty Yukon River where the King Salmon is the lifeblood of the native communities and out into the ocean, following a trail of evidence that leads him to encounters with some of Alaska’s most formidable predators. Who or what is killing the kings? 

·         Return of the Outback Beast – A report of an underwater attack in Australia has caught Jeremy Wade’s attention. The story of a diver tangling with a colossal fish is intriguing, but according to most people, there shouldn’t be any fish of significant size in the area. Chasing a lead, Jeremy travels to eastern Australia to investigate, and discovers that the fish responsible for the attack could be a species back from the brink of extinction.

JEREMY WADE’S DARK WATERS is produced for Animal Planet by Icon Films where Laura Marshall and Andie Clare serve as executive producers with Nicholas Head as showrunner. For Animal Planet, Lisa Lucas is executive producer with Patrick Keegan as supervising producer. 

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English Entertainment

Ellison takes his Paramount-Warner Bros case straight to theater owners

The Skydance chief goes to CinemaCon with promises and a skeptical crowd waiting

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CALIFORNIA: David Ellison strode into a room packed with thousands of cinema owners and executives at CinemaCon in Las Vegas on Thursday and did something rather bold: he looked them in the eye and asked them to trust him.

The chief executive of Paramount Skydance vowed that his company would release a minimum of 30 films a year if regulators greenlight its proposed $110 billion acquisition of Warner Bros Discovery, a deal that has made theater owners deeply, and loudly, nervous.

“I wanted to look every single one of you in the eye and give you my word,” Ellison told the crowd. “Once we combine with Warner Bros, we are going to make a minimum of 30 films annually across both studios.”

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It was a confident pitch. Whether it landed is another matter. Cinema operators have already called on regulators to block the deal, and scepticism in the room was hardly concealed.

Ellison pushed back by pointing to recent form. Paramount, born from the merger of Paramount Global and Skydance Media last August, plans to release 15 films this year, nearly double the eight it put out in 2025. Progress, he argued, was already underway.

He also threw theater owners a bone they have long been chasing: all films, he pledged, would run exclusively in cinemas for a minimum of 45 days, drawing applause from a crowd that has spent years fighting for exactly that commitment across the industry.

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“People can speculate all they want,” Ellison said, “but I am standing here today telling you personally that you can count on our complete commitment. And we’ll show you we mean it.”

Fine words. The regulators, however, will have the last one.

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