Hindi
Eros International and Bhansali Productions’ Bajirao Mastani to release in Tamil & Telugu
MUMBAI: Eros International and Sanjay Leela Bhansali’s forthcoming magnum opus Bajirao Mastani, slated to release on December 18worldwide, will also release in Tamil and Telugu languages. The period drama will be dubbed in these languages to reach out to a wider audience base in the south markets.
Well-known lyricist Madhan Karky who has penned songs and dialogues for Tamil hits like Baahubali and Enthiran and popular Telugu lyricist Ramajogayya Sastry known for working on latest hits Srimanthudu and Baahubali will be working on the Tamil and Telugu dubs respectively.
Talking about the film’s language versions, director Sanjay Leela Bhansali said, “Bajirao Mastani has been a story I have been yearning to tell and I am glad that cine goers in the south regions will get to watch the film in their own language. This is a dream I have lived with for several years and I’m looking forward to audiences across markets living my dream with me”.
Commenting on this development, Nandu Ahuja, Senior Vice President, India Theatrical, Eros International Media Ltd.said, “Following the success of films in this genre in the south markets, we felt encouraged to dub Bajirao Mastani in Tamil and Telugu. A film of this epic scale and exceptional story telling demanded that we penetrate as wide as possible”.
As the trailer of the magnum opus recently created a splash on the social media front, the creative maverick reiterates yet again why Bajirao Mastani is India’s first truly global film.
Known to create nothing short of masterpieces, Sanjay Leela Bhansali who is also the recipient of a Padma Shri award ,has never failed to deliver films rich in content and high on entertainment, a visual spectacle captured on celluloid.
Starring Ranveer Singh, Deepika Padukone and Priyanka Chopra among others, Bajirao Mastani has been a longstanding dream of the filmmaker which is finally being realized, transporting audiences to a land of love, war and signature opulence.
Eros International & Sanjay Leela Bhansali’s Bajirao Mastani is scheduled to release 18th December, 2015 worldwide.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
