Movies
Bhojpuri Cinema now available on Tata Sky and Den Network
The No.1 Bhojpuri Movie Channel – Bhojpuri Cinema,hasstrengthened its distribution with India’s leading Direct to air platform – Tata sky. With Tata Sky,Bhojpuri Cinema will now benefit with deep penetration across the regions of the country. This move will gradually fortify the channel’s position in other markets also, making it easily available for discerning viewers throughout the country.
Bhojpuri Cinema is now available on Tata sky Channel No. 1115.
Apart from the new DTH entry, the channel is also now available on Den network in the state of UP/Uttarakhand,Bihar & Jharkhand on channel number 827.
With these associations, Bhojpuri Cinema will mark the beginning of new prospects for the channel in terms of increased viewership, new audience base, robust expansion plan, etc. The channel will engage with viewers and trade partners locally and nationally through a multimedia campaign across multiple platforms.
Amongst the Bhojpuri regional channel in Bihar & Jharkhand, Bhojpuri cinema derives a 26 percent of market share in 4 plus TG.
Bhojpuri Cinema is the only Bhojpuri channel that delivers round the clock entertainment with the scheduling of 42 fresh Bhojpuri movies every week including world television premiers. Its library of over 350 Bhojpuri movies is the biggest Bhojpuri movie library of the world.
Bhojpuri Cinema is available across DTH platforms such as Tata Sky,Airtel, DD Free Dish, Dish TV along with all cable operators of the region.
Speaking on the occasion, Enter 10 Television Pvt. Ltd, Founder and Managing Director, Mr. Manish Singhal said, “We are happy to announce our availability on Tata Sky and Den Network, which allows the channel to immediately grow its reach across the geography. We are confident that our content will be thoroughly enjoyed by the new audiences, further enhancing our reach and position. Strengthening our distribution is a strategic move which will not only widen our audience base and popularity but will also give better value to our advertisers.”
Enter 10 Television Pvt. Ltd. (ETPL) is an Indian media and entertainment company based in Indore, Madhya Pradesh, India. The company’s founder and managing director is Mr. Manish Singhal. The Company has 4 channels serving Indian content across India. Enter 10 Television Pvt. Ltd. was incorporated 11 March 2004. Enterr10 Television, the flagship channel of Enter10 Television Pvt. Ltd. was launched in October 2006. Then it came out with three channels namely Dangal, which is a General Entertainment channel, Bhojpuri Cinema, which is a 24 hours Bhojpuri Movie channel &Fakt Marathi , which is a 24 hours Marathi Movie channel.
Hollywood
Utopai Studios partners Huace to deploy PAI for long form content
Deal includes revenue sharing as Huace adopts AI engine across global ops
MUMBAI: Lights, camera… algorithm, the script just got a silicon co-writer. In a move that signals how storytelling itself is being re-engineered, U.S.-based Utopai Studios has partnered China’s Huace Film & TV Co. Ltd. to bring artificial general intelligence into the heart of long-form content creation.
At the centre of the deal is PAI, Utopai’s cinematic storytelling system, which Huace will deploy as a core engine across its production pipeline from development and creative iteration to global localisation. The partnership includes a large-scale annual usage commitment from Huace, alongside a usage-based revenue-sharing model, underscoring both ambition and commercial confidence on both sides.
For Huace, one of China’s largest film and television companies, the bet is not on automation alone but on scale with control. With distribution spanning over 200 countries and a presence across more than 20 international platforms, including Netflix and YouTube, the company brings a vast content ecosystem where even marginal efficiency gains can translate into significant output shifts. Its extensive TV IP library further positions it as fertile ground for AI-assisted storytelling workflows.
The choice of PAI follows what Huace described as a rigorous evaluation of existing AI tools, many of which remain limited to fragmented use cases such as video generation or editing. What tipped the scales, according to the company, was PAI’s ability to handle long-form narrative complexity maintaining continuity, structure, and creative coherence across entire story arcs rather than isolated clips.
Utopai, for its part, is using the partnership to anchor its international expansion strategy, pitching PAI as an enterprise-ready system built for customisation, privacy, and regulatory adaptability across markets. That positioning becomes particularly relevant as global media companies increasingly scrutinise how AI integrates into proprietary workflows.
The timing is notable. Earlier this month, Utopai upgraded PAI to support three-minute 4K video generation and advanced multi-shot sequencing features designed to tackle one of AI storytelling’s biggest hurdles: consistency across scenes.
What emerges is not just another tech collaboration, but a glimpse into how the grammar of filmmaking could evolve. Because if stories were once crafted frame by frame, the next chapter might just be coded scene by scene.
