Event Coverage
Zee pitches for allowing adult content on TV
MUMBAI: The Subhash Chandra-promoted Zee Telefilms today made a strong pitch for allowing adult content on television, which should be regulated. Reason: it would help bring about more transparency in the system.
Making a case for the move, Essel Corporate Group vice-president corporate brand development Ashish Kaul said, “This will bring about transparency in the business as, like it or not, adult content is a part of our lives. It is there on the Internet and on MMS on mobile phones. Does this mean that we ban it? Other newer media have far more impact than TV.”
Speaking a session on content regulation at the Ficci Frames, Kaul said, “Covers of magazines, sometimes, have provocative pictures. Newspapers too, are no less bold.”
Almost 140 million newspapers are sold everyday. Should we stop it?” Extending the argument further kaul explained that the problem lies in the Indian policy-makers obsession for restricting TV content, while not giving much thought to the other media. “In a sense, TV is being made a scapegoat,” he added.
Already there are cable operators who after midnight screen adult films. This is due to a huge public demand. Legitimising adult content with regulation will “bring in accountability.”
“If a consumer pays for DTH, and he wants adult content why should he be restricted when he has paid for it?” Kaul asked, adding to the debate whether adult content should be allowed on Indian television or the country continues to wear the moral fig leaf closing its eyes to developments happening all over the world.
Universal McCann India president Chintamani Rao said it was undesirable for a proposed Communications Commission of India to be appointed as a super regulator. “It goes against our cultural ethos. Instead we should have a structured and formalised self-regulatory body like ASCI is for advertising, he opined.
Coming down heavily on selective censorship and restrictions being imposed on certain segments of the media, Rao decried the urgency being shown in censoring ads, while nothing is done about Hindi film songs, some of which border on absolute vulgarity.
“It is ridiculous that an ad that shows a man running after eating candy is banned, while vulgar film songs pass muster,” Rao said, however, conceding that there were times when broadcasters misbehaved with the rules regarding advertising.
A case in point is liquor advertising. While an understanding was reached that liquor ads would only air between 9 PM and 5:30 am, broadcasters “misbehaved” by showing liquor ads at 6 PM
Information and broadcasting minister joint secretary R Parasuram, also present during the session offered the government perspective saying the ministry is looking into various aspects of content regulation, including setting up a semi-governmental autonomous body for this purpose. Another provision that is being considered is imposing a ban on a channel that shows offensive material. This is being discussed with the law ministry, Parasuram said, indicating a downlink policy is also being discussed in the ministry. “This could have ramifications as far as restricting content is concerned,” he added.
Star India VP Karan Kuljeet Singh said that broadcasters have internal control mechanisms for monitoring purposes. Self regulation is important. According to him it is important for broadcasters to design a universal ratings system and for broadcasters to respect viewers’ sensibilities. Otherwise, viewers will switch off.
Legal firm TSG Associates’ Tamali Sengupta gave delegates an overview of content regulation in different countries. “Most countries have self-regulation, although a fine or a penalty can be imposed,” she pointed out.
After the Janet Jackson Super Bowl `wardrobe malfunction’ episode in the US, the Federal Communications Commission increased the fine limit to half a million dollars from $32,050. The FCC acts on public complaints. For the Jackson episode, the FCC had received 530,000 complaints from the public.
The main reason for regulation is that broadcasters must meet
Acceptable community standards. However, there are challenges before content regulators globally. One of them being the penalty that must be imposed, Sengupta said.
Should content owners be liable for retransmitted content? Should there be pre-censorship in TV as there is in films? These are some of the issues, according to her, haunting regulators worldwide.
Sengupta added that the US position is that a cable company is not Subject to government interference as the investment is entirely private. For terrestrial TV, however, the government insists on controlling some spectrum. Industry self-regulation has worked in the US.
In the UK, Ofcom is the regulatory body, which has proposed a new draft code for content. Section One states that content that will impair a child’s psychological and emotional development can only be screened in the watershed hours of 9 pm-5.30 am. Violence, sex, unjustified nudity are not allowed outside the watershed period.
“As far as India is concerned we need to look at whether content codes are compatible with acceptable community standards”, Sengupta concluded.
Event Coverage
Anime India announces Amazon MX Player as co-presenting partner for Anime India Kolkata 2026
MUMBAI: Riding high on the success of its blockbuster Mumbai debut, Anime India is accelerating its nationwide expansion with the announcement of Amazon MX Player as the co-presenting partner for Anime India Kolkata. The partnership marks a significant step forward in the festival’s mission to deliver large-scale, accessible, and fan-first anime experiences across the country.
Scheduled for 14 and 15 February 2026 at the iconic Biswa Bangla Mela Prangan, Anime India Kolkata will launch the first regional chapter of what is set to be a year-long, multi-city tour. As the curtain-raiser for the 2026 circuit, the Kolkata edition aims to fuse the energy of global Japanese pop culture with India’s fast-growing community of anime, manga, and pop-culture fans.
A household name in digital entertainment, Amazon MX Player brings unmatched reach and cultural relevance to the Anime India platform. With its expanding focus on anime and youth-driven content, Amazon MX Player’s involvement as co-presenting partner reinforces Anime India’s vision of making anime culture more inclusive breaking barriers of language, geography, and accessibility to connect with fans nationwide.
Anime India Kolkata 2026 will showcase cosplay competitions, interactive zones led by the Indian Gunpla Community, India-39 Vocaloid Community, The Japan Curry, and Adda-o-Otaku by The Otaku Guild. Fans can join tournaments across fighting games, Pokémon VGC, and more. Acclaimed Japanese director Susumu Mitsunaka (Haikyu!!) will attend as guest of honour, appearing in panels and live sessions. Positioned as an immersive celebration of fan culture and industry collaboration, the Kolkata edition marks the beginning of Anime India’s nationwide expansion.
Sharing their perspective on the partnership, Amazon MX Player director Aruna Daryanani expressed, “Anime in India has evolved from a niche interest into a mainstream cultural movement, driven by an increasingly engaged and passionate fanbase. At Amazon MX Player, our focus is on expanding access by bringing anime to audiences across the country for free and in multiple local languages. Our association with Anime India reflects our commitment to supporting the growth of anime in India and deepening connections with fans, while continuing to build Amazon MX Player as a trusted destination for free, high-quality entertainment.”
“Anime India Kolkata is a celebration of how anime has grown beyond entertainment into a powerful cultural and creative force. By bringing fans, creators, and industry leaders onto one shared platform, the festival is helping define the future of pop culture in India,” said Anime India co-founder and director Neha Mehta.
The debut edition of Anime India 2025 in Mumbai attracted over 29,000 fans, quickly cementing its status as a landmark celebration of anime and Japanese pop culture. Riding on this overwhelming response, the Kolkata chapter is projected to draw more than 40,000 visitors across two days, positioning it as one of the biggest anime conventions ever held in eastern India.
Anime India is focused on bringing together fans from across the country to create a truly pan-India celebration of anime, manga, cosplay, gaming, and Japanese culture. With plans to expand into four key metropolitan hubs in 2026—east (Kolkata), north (Delhi), west (Mumbai), and south (Hyderabad)—the festival seeks to deliver globally benchmarked experiences while supporting and uplifting creators, artists, and fan communities throughout India.
