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“We believe powerful storytelling sparks relatable conversations driving positive change”: ZEE5’s Abhirup Datta
Mumbai: With the ever-evolving consumer preferences, content too is rapidly transforming, especially in the AVOD platforms. ZEE5, one of the major OTT players in India, is at the forefront of this revolution, curating engaging and diverse content to meet the demands of today’s digital audience.
From captivating originals to socially relevant initiatives like #NoNaariNoShakti and #ZEE5GameChangers, ZEE5 is not just reshaping entertainment but also fostering societal dialogue and meaningful engagements.
Catching up with ZEE5’s head – AVOD marketing Abhirup Datta, who is
driving the overall AVOD growth and development agenda by increasing users, videos viewed, time spent and in building brand affinity with best-in-class customer experience, Indiantelevision.com delved into ZEE5’s content curation, their #NoNaariNoShakti and #ZEE5GameChangers initiatives driving societal changes, unique challenges in the AVOD space and more…
Edited Excerpts:
On ZEE5 curating and ensuring its AVOD content in Hindi and regional languages remains engaging and relevant amid evolving viewer preferences
At ZEE5, our approach to curating AVOD content is deeply rooted in understanding and adapting to evolving viewer preferences. Adopting a consumer-centric approach, we carefully curate a content pipeline featuring exclusive titles, nostalgic classics, direct-to-digital releases, e-sports, devotional content, kids’ content, and catch-up TV, enabling access to high-quality content at any time on our platform. In 2023 alone, we launched a plethora of movies, web shows, and exclusive films like ‘Ardh’ with Rajpal Yadav, ‘Am I Next’ with Anushka Sen, and Priyamani’s ‘Sarvam Shakti Mayam’. This year as well, we continue to offer quality and impactful stories like our recent AVOD original ‘Kaam Chalu Hain’.
Our content library comprises of more than 2000 plus free movies across languages catering to diverse regions pan-India. Through the rich legacy of ZEEL (Zee Entertainment Enterprise Ltd), ZEE5 is also home to over 1400 GEC shows spanning 10 plus languages including Hindi, Marathi, Bengali, Malayalam, Telugu, Tamil, etc. On AVOD we also stream popular international titles and K-drama series dubbed in local languages. Localisation of content via dubbing and subtitling, along with the rise of affordable high-speed internet and increased smartphone accessibility, has contributed significantly to the growth of the AVOD segment.
Lastly, we also craft innovative brand campaigns to facilitate access to premium content. For example, campaigns such as “ZEE5 Manoranjan Festival,” “Any Time Manoranjan”, “Azadi Ka Jashn, ZEE5 Ke Sang”, and “ZEE5 Kids Festival”, amongst others enable our audiences to explore and engage with diverse content. We also successfully forayed into esports with IESF Big Bang Asia Open 2023 and sports streaming with ILT20.
On ZEE5’s innovation with campaigns like #NoNaariNoShakti and #ZEE5GameChangers to foster meaningful engagements and contribute to societal dialogue
At ZEE5, we believe in the power of storytelling to create meaningful, relatable conversations and drive positive change. With #ZEE5GameChangers, our goal is to connect, collaborate, and communicate with our viewers through socially relevant stories. In line with the initiative, ZEE5 offers titles like ‘Sirf Ek Banda Kaafi Hain’, ‘Duranga’, ‘Abar Proloy’, ‘Lakadbaggha’, ‘Lost’ ‘Ayali’, ‘Mrs Undercover’, and ‘Chhatriwali’, amongst others. On the other hand, #NoNaariNoStory championed women-led narratives against the backdrop of International Women’s Day. The campaign was unveiled with a “Social Media Glitch” executed across our social media platforms. It showcased key visuals of popular ZEE TV shows airing on ZEE5 featuring male leads alone. Through this, it creatively portrayed the intrinsic role female characters/leads play in our stories. Leveraging activations, influencer collaborations, and user-generated content contests, the campaign trended on social media, garnering significant engagement and reach. With initiatives like #NoNaariNoStory and #ZEE5GameChangers, we deepen our commitment to delivering diverse and engaging content experiences while solidifying our position as a leading AVOD streaming platform.
On the unique challenges that ZEE5 faces in the AVOD space, and how does it address them
Navigating the dynamic OTT landscape presents ZEE5 with unique opportunities for growth and innovation. Maintaining campaign freshness, engagement, and ongoing user interest is crucial for us, as meeting the rising demand requires constant innovation to satisfy our ever-evolving digital audience’s expectations. For this, we collaborate with the relevant creators to offer more engaging storytelling to our audiences. We realise that audiences are value-conscious and have tailored our AVOD model to perfectly meet the diverse needs of our viewers. Through our brand campaigns, consumers can experience a variety of content and make well-informed decisions. We also aim to engage our viewers through short format festive content in terms of ‘Festive Look’, ‘Shop like a star’, ‘High 5 with ZEE5’ amongst others.
We also focus on creating unique and engaging properties, through exclusive content, and exploring new genres and formats. Moreover, our platform features properties like ZEE5 World Hits and ZEE5 Spark, offering premium international titles dubbed in local languages. Additionally, our expansion into e-sports streaming with ILT20, devotional content, and diverse brand campaigns has kept our audience engaged and growing.
On examples of ZEE5’s collaboration with influencers or celebrities to amplify its AVOD content
We have been successfully using meme marketing to build online buzz for some of our launches. These memes, often featuring favourite actors in funny or relatable contexts, organically drive traffic due to their shareable nature. This further increases the visibility and engagement around our AVOD content leading to higher viewership. This approach not only boosts visibility but also fosters engagement around our AVOD content.
We curated an influencer campaign for the launch of our latest AVOD original ‘Kaam Chalu Hain’. For this, Rajpal Yadav, who plays the protagonist role in the film, created content with influencers like Atharva Sudhame, RJ Mahavash, Danny Pandit, amongst others to drive awareness about the plot of the film. Within the span of a few days the campaign received positive reception and views. In the past, we have also launched ‘Yaadein’ with Anu Kapoor, featuring some of our iconic shows of the 90s and 2000s.
Additionally, we have been leveraging our TV stars to build a deeper and direct connection with our viewers. For example, the promos of our most recent AVOD brand campaign “Serial Killer” saw prominent collaborations with top leads like Sana Sayyad and Paras Kalnawat of the Hindi serial ‘Kundali Bhagya’; Shivani Rangole and Hrishikesh Shelar of the Marathi serial ‘Tula Shikvin Changlach Dhadha’; Ankita Mallick and Soumyadeep Mukherjee, leads of the Bangla serial ‘Jagadhatri’. Through this campaign, we empower women to watch their desired content at their convenience highlighting the flexibility of our platform. On similar lines, we also released the ‘Entertainment Not Out’ campaign, back in 2023, with promos starring top leads from various regions, talking to the women viewers, reiterating to not miss their favourite content by watching it on ZEE5.
On ZEE5’s plan to leverage partnerships to expand its brand reach and impact
We at ZEE5 strategically partner with well-regarded ecosystem players to expand the reach of our content and further widen our audience base. For example, ZEE5 collaborated with prestigious platforms like the Dadasaheb Phalke International Film Festival (DPIFF) and Iconic Awards to not only recognise the industry’s achievements but also to bring the magic of cinema and art closer to its audiences. Additionally, at ZEE5, we believe in creating immersive experiences, and celebrations which are an integral part of our cultural fabric. Taking that forward, we partnered with the iconic Ganesh Galli’s Mumbaicha Raja pandal under our festive campaign ‘Manoranjana Cha Raja’ and about 35 pandals during Durga Pujo, offering darshan and aarti via live streaming straight from the pandal directly to the screens for millions of viewers across India. In line with ZEE5’s digital-first philosophy, we also collaborated with Kyoorius for Designyatra 2023. Here, we hosted multiple workshops and created an AR/VR tech space zone at the event to further expand our brand credibility and impact.
On the key initiatives and plans that ZEE5 has in its AVOD roadmap for FY 2024
In 2024, we are further strengthening our AVOD catalogue with beyond TV content, bringing sports tournaments, exclusive titles, originals, and devotional content, amongst others to reach the audience at large. We started the year with yet another impactful title ‘Kaam Chalu Hain’ which has been receiving positive reception from our viewers.
As we mentioned earlier, we also launched the “Serial Killer” campaign recently. The campaign humorously addresses the common scenario of husbands interrupting TV serial watching, especially during the cricket season. Through this we aim to highlight the flexibility of watching a wide range of content on ZEE5 for free, anytime and without interruptions from the “serial killer” at home.
Along with this, we will continue to host targeted brand campaigns like ‘Entertainment Not Out’, ‘ZEE5 Manoranjan Festival’, ‘Any Time Manoranjan’ to broaden access to our diverse content library, leveraging high engaging periods like monsoon and the festive season. We shall stay committed to creating unique and engaging properties through continuous innovation and strategic collaborations with creators and partners.
iWorld
JioHotstar’s Tadka explained: India’s big new bet on bite-sized drama
The streaming giant goes short with vertical micro-dramas timed to ride the IPL’s massive reach
MUMBAI: India’s biggest streaming platform has a new trick up its sleeve. JioHotstar has launched Tadka, a vertical micro-content offering that serves up episodic dramas in 60-second to two-minute bursts, built not for the binge-watcher sprawled on the sofa but for the thumb-scroller on the bus. The name, borrowed from the Hindi culinary term for a flavour-charged tempering of spices, signals intent: quick, punchy, unmissable. And the timing is no accident. Tadka’s launch coincides with the Indian Premier League, one of JioHotstar’s biggest audience moments of the year, giving the new format an instant audience of tens of millions.
What exactly is Tadka?
At its core, Tadka is JioHotstar’s answer to the global micro-drama boom, a format that has quietly become a multi-billion-dollar category in China and is fast gaining ground elsewhere. Content is shot vertically, native to the mobile screen, and runs in episodes of 60 seconds to two minutes. Crucially, nothing is edited down from longer cuts: every story is conceived and produced specifically for the short form.
The genres span romance, drama, thriller, comedy and youth-oriented stories, all anchored in contemporary Indian life. Titles already in the library include Mitti Ka Sher, Section F Ka Only Boy, Undercover Boss: Scam Smash and Punch Dialogue Prince Ki Oka Chinna Love Story. Content is available in Hindi, Tamil and Telugu, with more languages to follow.
At launch, the platform has more than 100 original titles on offer. By year-end, JioHotstar plans to have 1,000-plus titles in the catalogue.
Production beyond Mumbai
One of the more striking aspects of Tadka is where it is being made. JioHotstar is deliberately breaking with the Mumbai-centric logic of Indian entertainment, shifting shoots to smaller cities. Game Over Gold Digger and Billionaires vs. Middle Class Mom were shot in Indore; Mitti Ka Sher and Startup Junoon: Rinki Bani Bazigar in Lucknow.
The platform has partnered with more than 50 production houses, ranging from established players such as M5 Entertainment, Salt Media and Tamasha Studios to digital-native outfits such as Incnut, Fourth Wall and Kaijuhouse Productions, many of them new to the long-form ecosystem altogether. The content and production team was built entirely from scratch, drawing talent deliberately from outside the traditional long-form world. Television production veterans, it turns out, are rather well suited to the high-volume, fast-turnaround demands of micro-content.
How the money might flow
Monetisation is still early-stage, but the roadmap is taking shape. Advertising is the primary near-term opportunity: several brands have already approached JioHotstar about integrated content formats, and ad revenues are expected to scale with viewership. Further down the road, the platform may explore subscription packs and coin-based unlock models, a path already well-trodden in global micro-drama markets, where 65 to 70 per cent of revenue has shifted over time from pay-per-episode unlocks to recurring subscriptions.
Fully AI-generated content, story and visuals alike, is also in the pipeline for specific genres, including animated and fantastical formats.
Partners are enthusiastic
Those building content for the platform are bullish. Firdaus, owner and partner at Salt Media, says Tadka “lowers traditional barriers, allowing storytellers across sizes to participate without being constrained by large budgets or legacy structures.” Sonya V. Kapoor, owner and partner at M5 Entertainment, calls micro-content “where the next generation of IP is going to be built and tested.” Anish Surana, founder of Ananta Productions, says Tadka is “formalising micro-content as a serious entertainment category within the mainstream ecosystem.”
Jehangir Irroni, assistant vice president of video divisions at Incnut Digital, puts it bluntly: “When a platform at JioHotstar’s scale backs a format, it has the ability to expand the category itself.”
The bigger picture
Within days of its launch, Tadka has already pulled in a share of JioHotstar’s active user base that, the company claims, is comparable in size to the entire user base of several standalone short-form or regional OTT platforms. That is a remarkable early signal, though, as with any new format, the harder test is whether that initial curiosity converts to habit.
If it does, Tadka could do for Indian micro-drama what JioHotstar’s backing of the IPL did for streaming sports: drag a format from the fringes firmly into the mainstream. The spice, as always, is in the timing.
