Hollywood
Warner Bros announce three Harry Potter spin-offs
MUMBAI: After a long wait, some good news for the Harry Potter fans, Warner Brothers has announced three new Harry potter spin-offs based on JK Rowling’s ‘Fantastic Beasts And Where To Find Them’ to be released in 2016, 2018 and 2020.
The studio has also revealed that there will be three new installments of ‘The Lego Movie’ and 10 DC Comics superhero films, including ‘Wonder Woman’ and ‘Aquaman’.
The new film will feature characters from the fictional textbook written by Newt Scamander at the Hogwarts School of Witchcraft and Wizardry. He is a magizoologist who deals with magical creatures and also author of the textbook used by students at the exclusive Hogwarts School Of Witchcraft and Wizardry. The book was mentioned in 49-year-old’s first novel in the series – ‘Harry Potter And The Philosopher’s Stone’.
According to media reports, the stories will be neither prequels nor sequels and will take place about seven decades before Harry and his friends Hermione Granger and Ron Weasley enter Hogwarts.
To be directed by David Yates, the film-maker behind the final four Potter movies, the author herself will be writing the script for the movies.
The Harry Potter film franchise remains the most successful in film history with $7.7 billion in global box office earnings.
Rowling’s series of books has sold more than 450 million copies and the brand has an estimated worth of $15 billion.
Giving the fans a clue before the official, announcement, last week the author tweeted out an anagram, “Newt Scamander only meant to stay in New York for a few hours,” which she said is the first sentence of a synopsis of Newt’s story.
Rowling’s Harry Potter books – which were published from 1997 to 2007 and tell the story of the young wizard and his friends at the Hogwarts school of magic.
Hollywood
Remembering Chuck Norris: the man, the myth, the legend at 86
From martial arts legend to internet folklore, fans honour his final level up
KAUAI: The world lost a legend on 19 March 2026, when Chuck Norris died aged 86. For a man long treated as immortal in internet folklore, the news felt almost unreal. Yet in true Norris fashion, the farewell has been less about mourning and more about myth-making.
Just days before his passing, on his 86th birthday, Norris shared a video from Kauaʻi, Hawaii, showing him sparring under the sun. His caption was characteristically wry: “I don’t age. I level up.” It now reads like a final wink to fans who had spent years elevating him to near-superhuman status.
His death followed a sudden medical emergency while on holiday. He passed away peacefully, surrounded by family, who described him not just as a global symbol of strength, but as a devoted husband, father and grandfather.
Online, grief quickly gave way to tribute in the language Norris helped popularise. Social media filled with one last wave of “Chuck Norris Facts”, the tongue-in-cheek myths that turned him into a digital demigod. The jokes wrote themselves, as always. Death did not take Norris, it finally dared to meet him.
Behind the humour, however, lies a formidable real-world legacy.
Long before the memes, Norris was Carlos Ray Norris, a decorated martial artist. After serving in the US Air Force, he rose to become a six-time world professional middleweight karate champion. His on-screen duel with Bruce Lee in Way of the Dragon remains one of cinema’s most iconic fight sequences.
Through the 1980s, he became the face of action cinema with films such as Missing in Action and The Delta Force, embodying a stoic, no-nonsense hero. In the 1990s, he reached living rooms worldwide as Cordell Walker in Walker, Texas Ranger, blending Western grit with martial arts flair.
Off-screen, his work carried equal weight. His foundation, Kickstart Kids, continues to teach martial arts to at-risk youth, focusing on discipline and self-worth. He also founded Chun Kuk Do, a martial arts system that trained thousands.
What made Norris unique was not just his strength, but his willingness to laugh at it. When the internet transformed him into an exaggerated symbol of invincibility, he embraced the joke. In doing so, he bridged generations, from cinema-goers to meme-makers.
His passing marks more than the loss of an action star. It signals the fading of a rare cultural crossover, where genuine athletic prowess met Hollywood heroism and early internet humour.
For many, remembering Chuck Norris means recalling a time when heroes were simple, punches were decisive and the internet still felt like a playground of shared jokes.
And if the myths are to be believed, this is not quite the end. It is simply Chuck Norris moving on to his next level.
