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Visionary Steve Jobs biopic postponed to August 16

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MUMBAI: The highly anticipated biopic JOBS starring Aston Kutcher as the visionary entrepreneur of Apple will hit the theatres on August 16. The biopic which was slated for an April release, and had also closed the American Film Festival Sundance, has been postponed. Five Star Films which had made a service deal with the distributors Open Road before the Sundance festival were highly eager to release in April marking the 37th anniversary of Jobs founded Apple.
 
However on account of insufficient time to prepare for a proper release and create the much needed hype and buzz over the biopic the film‘s backers thought it savvy to postpone the release to mid August.
 
The movie directed by Joshua Michael Stern and written by Matthew Whiteley will chronicle the story of Steve Jobs‘ ascension from a college dropout to achieving the status of being one of the most creative entrepreneurs of the 20th Century.
 
Revealing more about the storyline, JOBS will detail the major events and characters that had an influence over Steve Jobs from 1971 to 2001. Plunging deeper into the character, it is anticipated to create an intense dialogue driven story portraying the epic personal portrait of Steve Jobs‘ life.
 
The biopic has being visually treated by the Oscar winning cinematographer Russell Carpenter and produced by Mark Hulme.
 
JOBS stars Ashton Kutcher, Dermot Mulroney, Josh Gad, Lukas Haas, J.K. Simmons and Matthew Modine.

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International

Utopai Studios unveils 4K three-minute video generation for PAI platform

New Story Agent and editing tools aim to streamline AI-led filmmaking workflows

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MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.

The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.

At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.

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Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.

Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.

The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.

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Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.

As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.

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