DTH
Videocon d2h to phase out SD STB manufacturing by 2016
MUMBAI: Sensing a strong business opportunity, Indian direct to home (DTH) operator Videocon d2h is augmenting a new strategy. With the number of High Definition (HD) channels set to increase in the coming years, Videocon d2h, which also manufactures set top boxes (STBs), will be phasing out its Standard Definition (SD) STBs over the next year or so.
Videocon d2h is looking at 50 to 60 per cent acquisitions in HD STB space from the current 30 per cent.
Speaking at the Asia Pacific Video Operators Summit (APOS) held in Bali, Videocon d2h CEO Anil Khera said, “The cost of difference between SD and HD set top boxes for us is only one and half dollar.”
It may be recalled that as per the 2013-2014 annual report of the Telecom Regulatory Authority of India (TRAI), the number of HD Pay TV channels has shot up to 34 in 2014 as compared to three in 2010. Indeed the HD feed is a precious value added service for broadcasters and DTH operators.
Khera also shared some insights and trends that he has been witnessing in the Indian DTH sector. “In terms of gross adds, the market has been consistently growing and we have seen a growth of eight to nine million new additions in a year. Net additions has been a challenge, and the industry has been able to get net addition of five to six million. As far as the rotation churn is concerned how one retains customers and provides additional services, is a big challenge,” shared Khera.
Highlighting the biggest hurdle for the sector, he opined that carrying HD channels with a limited satellite bandwidth posed a grave challenge. Projecting that there would be at least a hundred HD channels over the next one and a half year, Khera said, “All the Hindi and English general entertainment channels and movie channels will have a HD and SD feed.”
A sizeable growth of electronic HD TV sets would compliment this trend further, he said.
Speaking on Over the Top (OTT) platforms, Khera said that they were not to be seen as a threat but rather as something that can compliment TV services. “However, one disturbing fact is that premium content is available free of cost to customers. If it becomes pay, then it will definitely help the industry because we pay a premium to buy the same content,” Khera opined.
He also said that the platform, which currently offers Bollywood movie channels on its video on demand (VOD) service is also in talks with Hollywood studios to offer English movies. However, he said that after rolling out its first 4K channel, it will now add Hollywood movies in 4K on the channel soon.
DTH
Dish TV launches ‘Kuch chhota sa’ campaign for TV flexibilit
New campaign highlights 190+ channels, Always-On service, Rs 99 Freedom Pack.
MUMBAI- Sometimes, the smallest remote click can fix the biggest daily friction and Dish TV is betting on exactly that insight. The company has rolled out a new campaign built around the thought ‘Kuch chhota sa karne par, life hogi behtar’, turning everyday viewing annoyances into a case for simpler, more reliable television access.
The campaign taps into a familiar household reality: millions of viewers continue to rely on free-to-air channels but increasingly want the flexibility of premium content, often ending up with a patchy and inconsistent viewing experience. Dish TV positions itself as the middle path—a structured yet flexible alternative that promises continuity without complexity. At its core is the pitch of an “Always-On” service, designed to keep content accessible even when recharge timelines slip, effectively reducing one of the most common friction points in DTH consumption.
To strengthen this proposition, the platform is offering access to over 190 channels, alongside a flexible pricing hook through its Freedom Pack, starting at Rs 99. The pack is positioned as a seasonal companion particularly relevant during high-engagement periods such as cricket tournaments, school holidays and festive windows, when content consumption spikes but users may not want long-term commitments.
Conceptualised by Enormous, the campaign unfolds through two master films and three short edits rooted in slice-of-life storytelling. From a husband quietly navigating around his sleeping wife to siblings striking a compromise over a coveted window seat, the narratives lean into humour and relatability rather than heavy messaging. The underlying idea remains consistent: small adjustments can meaningfully improve everyday experiences.
The rollout spans a full 360-degree media mix, including television, digital platforms, on-ground activations, point-of-sale visibility, Google Display Network placements and influencer-led content, signalling a push for both scale and contextual engagement.
As viewing habits continue to evolve in a hybrid ecosystem of free and paid content, Dish TV’s latest play reflects a broader industry shift where reliability and flexibility are increasingly positioned as differentiators, not just add-ons. In a market crowded with choice, the brand’s wager is simple: sometimes, it’s the smallest tweak that keeps audiences tuned in.
