iWorld
VBS 2024: The OTT Aggregation game
Mumbai: India is in the grips of seisnic changes regarding video and broadband consumption. Pay TV cord-cutting is rampant even as free TV subscriptions are on the rise and OTT buy-ins are churning with the signs up for certain platforms stagnating even as others are seeing rapid increases and some are seeing cataclysmic drops.
Aggregators of OTTs are popping up on the horizon promising cheap bundles along with value-added services for cable TV and DTH. There’s a rush to set up free advertising-supported TV channels by TV set manufacturers and smart TV device makers. There’s the Jio factor where it seeks to convert most pay TV customers to free streaming of video content by offering free access to consumers at no cost. The consumer continues to demand bandwidth higher than ever imagined even as prices drop. Margins are under pressure as every player goes one-up on each other to acquire and retain customers.
The video and broadband distribution landscape has not been as vibrant as it is now.. How long will this pot-boiling continue? What will the magic potion of video and broadband look and taste like? And what’s the end game? Indiantelevision.com has held the 20th edition of Video and Broadband Summit better known as VBS at Sahara Star Hotel, Mumbai.
The session chair for this panel was media consultant Anuj Gandhi along with the panelists: Arha Media & Broadcasting CEO Ravikant Sabnavis, GTPL Hathway Ltd senior VP Yatin Gupta, Dangal Play head Akshat Singhal, Playbox TV founder & CEO Aamir Mulani and OTT-Chana Jor, VHunt Digital Media COO Archita Jasani
To light up the atmosphere, Gandhi asked the audience how many hours on average people spend on their mobile phones. He also dropped another question while spending time looking at phones, how much time is spent on watching SVOD OTT? The response was quite positive as an overwhelming number of people in the audience watched content on their mobile phones for a longer duration.
As there was a considerable amount of audience who watched other lots of content besides OTT, Gandhi asked a broader question to all the panelists, “There is a belief and everybody says that aggregation is what went above consecutive recession, people said people subscribed to two and a half entities, but individual OTS there is a belief that beyond the point from D to C perspective or direct to consumer, you cannot cross the customer acquisition costs. There is another cost that is there.
Sabnavis said, “If I look at it from the consumer perspective, Most perspective, there’s a lot of entertainment. Right? Be it a YouTube video, or simply chatting with somebody on the phone. I’m probably oversimplifying to make the point. There are limits to my time when whether it be five hours or three hours and in that time, I’m trying to watch OTTs as well, besides doing whatever I am for entertainment. So therefore you’re possibly right that there comes a time when growth when you look at it from our perspective around the consumer’s approach slows down. They’re gonna find it increasingly difficult to a) reach out to consumers and b) convince them to subscribe to a platform.”
Jasani said, “There is a stagnation which is happening especially in metro cities. When we see that people, there is a capacity on how many hours can be on the mobile phones. Beyond that, I feel a lot of growth that can happen in tier-two and tier-three cities. Because these are the consumers who are town-tasting in the OTT and entertainment segments. So here we see that there is a glass ceiling, probably happening towards the metros, but there is a use of potentiality in tier two and tier three cities. So hence the aggregation makes sense in a way that there is a d2c and b2c as well, which helps us to get the hang of the consumers.
Amir Mulani commented that 90% of the time, consumers know what they want to watch, they will come to search, click the movie, and just start watching it. So I think my responsibility as a platform or as an aggregator, is beyond me to give him something that he wants to, and trying to keep it so easy, that it’s not confusing for them to decide.”
Singhal said, “Earlier, people used to go to OTT platforms and search for content because the OTT platforms were very messy. Now, with so many OTT platforms, we need to go to the users, and see what they have. So that’s why like it’s important.”
Gupta opined, “ We already have a cable product, which is an aggregation of channels. We have broadband as a service to augment this along with OTT. Looking at the consumer and saying that from this household. He’s already got cable, he’s already got broadband, and we may be able to give him OTT services as an aggregation.
Whether it makes economic sense or not, of course, is a big question mark, because the OTT players are expecting a certain amount of guarantees, which may or may not. So we’ve been looking at all of that while deciding whether to go ahead with it and what to do.”
iWorld
Ankuur Rajesh Kapila named national sales head – India at ZEE5 & digital
Former sports-gamification executive to drive revenue strategy and digital monetisation across India
MUMBAI: A seasoned dealmaker across television, sport and digital, Kapila steps in as national sales head – India, charged with sharpening revenue strategy, widening market reach and deepening digital monetisation. The mandate is clear: convert scale into sales and attention into advertising.
The move bolsters the streaming ambitions of Zee Entertainment Enterprises Limited as competition intensifies in India’s crowded OTT market. The focus will be on stronger advertiser tie-ups, smarter packaging and monetisation that keeps pace with shifting viewer habits.
Kapila arrives from JioStar India Pvt. Ltd., where as vice president – sports gamification he helped scale Jeeto Dhan Dhana Dhan into one of the country’s largest live play-along ecosystems. During the Indian Premier League and major international tournaments, the platform engaged over 300 million fans, blending branded integrations with sponsorship-led revenues.
The appointment also marks a homecoming. Across a 14-year earlier stint at the company, Kapila handled brand solutions across regions and genres, led key account management for the GEC cluster and oversaw programming and content acquisition at Zee Studio. Few executives have worked as many sides of the revenue engine.
For ZEE5, the signal is unmistakable: monetisation is back in the spotlight. With advertisers chasing measurable impact and platforms chasing profitability, Kapila’s brief is to make growth pay. In the streaming wars, scale is vanity, revenue is sanity, and momentum is everything.






