Hindi
US Network NBC drops broadcast of 2022 Golden Globes
New Delhi: US television network NBC has announced that it will drop its broadcast of the Golden Globes ceremony in 2022. The decision comes after the Hollywood backlash over the lack of diversity and the ethics of the Hollywood Foreign Press Association (HFPA), whose members vote on the annual awards for film and television.
It is for the first time since 1996 that NBC has decided not to broadcast the awards.
Actor Tom Cruise joined a revolt led by a host of streaming platforms and top studios, and urged others to join the call for action. The Mission Impossible star also returned the three awards he won for his roles in the movies Jerry Maguire, Magnolia and Born on the Fourth of July to register his protest, Variety magazine reported on Tuesday.
The Hollywood Foreign Press Association (HFPA) has been facing severe allegations of corruption and impropriety, and lack of diversity. The members have also been accused of making sexist and racist remarks
Streaming giants Netflix, Amazon Studios, WarnerMedia and several top PR companies have earlier said they would no longer work with the HFPA unless it made far-reaching changes.
WarnerMedia, which includes cable channel HBO and movie studio Warner Brothers, had even written to HFPA expressing concerns over “racially insensitive, sexist and homophobic questions” at press conferences and events during the nominations and awards process.
In wake of the criticism, the HFPA had agreed to make some changes over the next year, which were initially welcomed by NBC. But later, the network said it would wait to see if the reforms worked.
“Change of this magnitude takes time and work, and we feel strongly that the HFPA needs time to do it right. As such, NBC will not air the 2022 Golden Globes. Assuming the organisation executes on its plan, we are hopeful we will be in a position to air the show in January 2023,” NBC said in a statement, Reuters reported on Tuesday.
Soon after the announcement, the HFPA said it is implementing “transformational change” on priority and also reiterated that by August 2021, it would approve a new code of conduct and provide diversity and sexual harassment training among other steps.
The annual Golden Globes ceremony has become one of the biggest Hollywood awards shows in the run-up to the Oscars. But it has been under close scrutiny following an investigation published in February by the Los Angeles Times that showed the group of 87 journalists had no Black members. The association has faced further criticism for this year’s slate of nominations, which did not include several Black-led Oscar contenders such as Da 5 Bloods, Ma Rainey’s Black Bottom and Judas and the Black Messiah in the nominees for the group’s top award.
Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
