Hollywood
U2 partners with Apple for a new album
MUMBAI: The veteran Irish rock band U2 revealed that they partnered with Apple for the release of their latest album. Titled Songs of Innocence, the album is available for free on iTunes till it’s officially released on 14 October this year.
The surprise announcement was made at a California event where Apple CEO Tim Cook unveiled the firm’s latest iPhone and a new smartwatch. This is the first album in five years an U2 album has been offered for free to the 500 million users of Apple’s iTunes service.
The said album has 11 songs, which includes the lead single ‘The Miracle’ which the group performed in the Apple event.
Talking at the event launch, U2 lead singer Bono said, “From the very beginning U2 has always wanted our music to reach as many people as possible, the clue is in our name I suppose – so today is kind of mind-blowing to us. The most personal album we’ve written could be shared with half a billion people… by hitting send. If only songwriting was that easy.”
“It’s exciting and humbling to think that people who don’t know U2 or listen to rock music for that matter might check us out. Working with Apple is always a blast. They only want to do things that haven’t been done before – that’s a thrill to be part of,” he added.
Despite the group’s unprecedented move to give it for free, Songs of Innocence will not be eligible to be nominated for the next Grammy Awards.
U2’s last album, No Line on the Horizon, hit the top spot in the UK charts in 2009 and eventually surpassed the five-million-sales mark worldwide.
The Irish band is famed for producing some of the landmark albums of the 1980s and early 1990s, including The Joshua Tree and Achtung Baby.
Hollywood
Disney to cut 1,000 jobs in major restructuring drive
Layoffs span ESPN, studios and tech as company pivots to growth
MUMBAI: The magic isn’t disappearing but it is being reorganised. The Walt Disney Company has announced plans to cut around 1,000 jobs as part of a sweeping restructuring effort aimed at sharpening its edge in an increasingly unpredictable entertainment landscape. The move, led by CEO Josh D’Amaro, reflects a broader internal reset as the company rethinks how it operates, allocates resources and competes in a fast-evolving industry. In a memo to employees, D’Amaro acknowledged the difficulty of the decision but framed it as a necessary step to ensure Disney remains “efficient, innovative, and responsive” to rapid shifts in consumer behaviour and technology.
The layoffs will span multiple divisions, including marketing, film and television studios, ESPN, technology teams and corporate functions. Notifications have already begun, signalling that the restructuring is not a distant plan but an active transition underway.
Importantly, the company has clarified that the cuts are not performance-driven. Instead, they form part of a wider transformation strategy aimed at building a leaner, more agile organisation, one better equipped to respond to streaming dynamics, digital disruption and evolving audience expectations.
The timing is telling. The global entertainment industry is in the middle of a structural shift, with traditional television revenues under pressure and box office returns becoming increasingly volatile. Meanwhile, streaming platforms and digital-first competitors continue to redraw the rules of engagement, forcing legacy players to rethink scale, speed and storytelling formats.
For Disney, long synonymous with blockbuster franchises and timeless storytelling, the pivot is both strategic and symbolic. The company is doubling down on technology, direct-to-consumer services and content ecosystems that align with modern viewing habits, where audiences expect immediacy, personalisation and cross-platform experiences.
Even as the restructuring unfolds, D’Amaro struck a note of optimism, reiterating Disney’s commitment to creativity and long-term growth. Support measures for affected employees are expected as part of the transition, though details remain limited.
In essence, this is less about cutting back and more about reshaping forward. As Disney redraws its organisational map, the message is clear, in today’s entertainment world, even the most magical kingdoms must evolve or risk being left behind.
