International
Twlight Saga romps in $ 48.8 million in third consecutive weekend
MUMBAI: Thanks to a $48.8 million weekend at some 11,800 locations in 73 territories, Twilight Saga: Breaking Dawn Part 2 has now become the biggest-grossing franchise title overseas boosting its foreign gross total to $447.8 million.
The fifth and final title based on Stephenie Meyer‘s series of novels about a young woman (Kristen Stewart) in love with a vampire (Robert Pattinson) has roped in $16.9 million more than the franchise‘s previous all-time offshore box office champ The Twilight Saga: Breaking Dawn Part 1 that collected $430.9 million last year.
Breaking Dawn Part 2 dominated a generally lacklustre box office session overseas by clinging to the No. 1 spot for the third consecutive week with hold over titles for the most part registering diminishing returns.
Worldwide, the film has grossed $702.4 million. Lionsgate International, which is handling foreign distribution of the Summit Ent. co-production had earlier said that Breaking Dawn Part 2‘s enormously big action helped lift the distributor‘s 2012 total foreign box office past the $1-billion mark.
Finishing No. 2 once again was Sony/MGM‘s Skyfall, the 23rd installment of the James Bond franchise that collected $34 million from 7,600 spots in 84 markets handled by Sony and licensees of co-distributor MGM.
Since its overseas opening on 26 OCtober, Skyfall has accumulated nearly $200 million more that the $432.2 total foreign gross of the previous franchise record holder, 2006‘s Casino Royale, also starring Craig.
A No. 1 Japan opening provided $5.9 million from 587 situations, which Sony said was 51 per cent bigger than the opening market gross of 2008‘s Quantum of Solace, which grossed a total of $407.7 overseas. A No. 1 bow in South Africa ($800,000 from 128 spots) was also recorded for Skyfall.
Making No. 1 debuts in Spain, Singapore and Malaysia was Twentieth Century Fox‘s release of Life of Pi, the film version of Yann Martel‘s novel of the same name about a young castaway and a Bengal tiger.
Directed by Taiwanese-born Ang Lee, the Fox 2000 co-production drew $21.5 million on the weekend overall playing a total of 5,678 in 11 markets, the best of of which were China ($11 million in second round at 3,800 site for a market cume of $38.5 million) and Taiwan ($2.6 million at 165 locations, a rousing 47 per cent increase from the opening weekend). In spite of its relatively limited foreign release, the film has generated a total of $61.1 million in just two rounds.
International
Utopai Studios unveils 4K three-minute video generation for PAI platform
New Story Agent and editing tools aim to streamline AI-led filmmaking workflows
MUMBAI: Utopai Studios has announced a major upgrade to its PAI storytelling AI platform, introducing what it claims is an industry-first capability to generate three-minute videos in 4K resolution, alongside enhancements to its Story Agent feature.
The update, rolling out from April 15, expands the platform’s capabilities across the filmmaking process, from early concept development to post-production. The company said the new features are designed to help filmmakers maintain continuity across characters, scenes and visual styles, a key challenge in AI-driven storytelling.
At the heart of the release is a next-generation model that enables more structured narrative development, allowing creators to move more seamlessly from idea to execution. With tools such as multi-shot sequencing and multi-turn editing, the platform aims to give both studios and independent creators greater control over complex storytelling workflows.
Commenting on the launch, Utopai Studios co-founder and CTO Jie Yang said, “The next phase of AI in media will not be defined by isolated tools, but by systems that can carry story, continuity and collaboration across the full creative process.” He added that the update is a step towards enabling more practical, end-to-end narrative development at a professional level.
Echoing this, Utopai Studios co-founder and chief scientific officer Zijian He said, “Generative video is opening the door to a new production model, where creative ambition is less constrained by traditional cost and complexity.” He noted that the platform combines multimodal models with iterative editing to give creators more speed, control and consistency.
The company said PAI is already being used in professional film and television productions, particularly in Hollywood, for tasks such as pre-visualisation, scene design and post-production refinements. The latest update adds features including improved voice options, character consistency, unlimited editing and more flexible asset management.
Utopai also emphasised that its models are not trained on copyrighted material, positioning the platform as a cleaner alternative for creators and rights holders navigating the evolving AI landscape.
As AI continues to reshape content creation, Utopai’s latest push signals a shift from standalone tools to integrated systems, aiming to make high-quality filmmaking faster, more flexible and increasingly accessible.
