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Three Indians selected for Asian Film Academy in Busan

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NEW DELHI: Three Indians have been selected for the Asian Film Academy (AFA), a filmmaking education programme of the Busan International Film Festival.

 

Tojo Xavier Cheruthuruthil, Mikhail Marak and Manas Mittal are the ones who are selected for this.

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AFA selected 24 participants for its 2014 edition from all over Asia. Renowned Hungarian director Béla Tarr will be heading AFA 2014 as the dean, and Busan Film Commission Director OH Seok-geun will also double as the deputy dean.

 

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Korean director Song ll-gon (directing mentor) and Polish cinematography director Ryszard Lenczewski (cinematography mentor) complete AFA 2014 faculty.

 

The 24 fellows will produce two short films which will be officially presented in the 19th Busan International Film Festival. Other AFA programs include workshops, a master class, special lecture series and mentoring.

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Asian Film Academy 2014 will be held for 18 days from 35 September to 12 October.

 

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The Academy has selected three persons from the Phillipines; two each from China, Singapore and Korea; and one each from Afghanistan, Bangladesh, Cambodia, Hong Kong, Indonesia, Iran, Malaysia, Myanmar, Nepal, Pakistan, Sri Lanka, and Thailand.

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Hindi

Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey

Ad filmmaker steps away from own venture to pursue direction and storytelling

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MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.

The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.

Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.

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Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.

Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.

His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.

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As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.

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