Animation
“The indian animation industry has lost a true legend”: industry mourns the death of Arnab Chaudhuri
Artist, director and industry veteran Arnab Chaudhuri passed away on 25 December in Kolkata. He was noted in the animation industry for his feature film with UTV in 2012 titled Arjun: The Warrior Prince.
As soon as the news came, the industry started mourning the death of a fellow colleague.
Says Punnaryug Artvision founder Ashish Kulkarni, “Arnab Choudhury was such a gentle man. The Indian animation industry has lost a true legend. What an animation direction in “Arjun: The Warrior Prince” animated movie. We were just together at Kochi Design Week 10 days ago. We were on a panel discussion which I had an opportunity to moderate. Just difficult to even imagine that 10 to 12 days ago he was perfectly fine and was moving around with a camera taking pictures. We had lunch and breakfast together and discussed a lot of great initiatives for AVGC sector. He even jokingly asked me what is the full form of AVGC. Such a humble, highly respected and creative person, who brought pride to India in many ways by creating world class animation. I am finding it extremely difficult to even believe that Arnab is not with us anymore. May is soul rest in peace. He will always be remembered for his creativity, attitude and pleasant personality.”
With more than two decades of experience in the fields of television, animation and creative design, Chaudhuri had worked with major organisations like Turner, Walt Disney and Channel V.
“This is really shocking, I still can’t believe it. I knew Arnab so well – such a decent, gracious person, so hardworking and so passionate about animation. This truly is a great loss. He had many more wonderful films yet to make – most unfortunate that we will never see those. I will miss him.” said Paperboat Animation co-founder and chairman Soumitra Ranade.
Toonz Media CEO P. Jayakumar also reminisced on how he met Chaudhuri just a week back at Kochi Design Summit, where he was the keynote speaker, and how he was one of the well wishers of the studio and the industry. He also said that the Arjun director had collaborated with them on various projects and even gave numerous masterclasses to their artists. “This is a severe loss to the industry. It is very shocking” concludes Jayakumar.
Expressing his heartfelt grief over the loss, Technicolor India head Biren Ghose mournfully shared: “I was extremely sorry to hear about the loss of the very talented Director Arnab Chaudhuri. He was a valued and amazingly talented member of the animation and film fraternity in India. Only the good die young. He took great pains to change the “local animation” paradigm having labored over a full-length animated feature at a time when there were hardly any local projects of that size and scale. The film is “Arjun”. This brilliant passion project set a new bar in our country. The manner in which he went about preparing and pre visualizing every aspect of the “look and feel” and “art direction” in this genre was pioneering.”
Speaking about how he felt at the screening of Chaudhari’s movie in Annecy, he added, “It was a very proud moment for me to attend the screening of this movie in Annecy – “The Mecca for animation competitions” and I recall that the global audience truly appreciated and applauded his work. I will never forget the pride we all felt as Indian compatriots at the standing applause the film received. I hope he will rest in peace and I know that he will set about working on his next story and delight all those even in the world beyond….one day we will all get to see that as well. In sorrow for his loss, in happiness that we knew him and in appreciation for his legacy in storytelling. A heartfelt salute.”
Even noted independent artists from the industry shared their thoughts, “I met him for the first time two weeks ago after hearing about him for decades …and we spent hours talking about art, stories and philosophy, and we spoke about our future projects and life goals with such excitement. Such a gem of an experience . He will be greatly missed.” said Vaanarsena Studios senapati Vivek Ram.
The loss of a veteran from the country’s animation industry will surely be felt throughout.
“A sad moment in Indian animation today. I met Arnab when he was heading Disney channel. His film Arjun was one of the first few animation films in India that actually didn’t target only kids. His efforts n the style of work will always be admired by coming generations for sure. Rest in peace”. shares Vaibhav More Films founder Vaibhav More.
MUMBAI: History is getting a fresh rewrite this time with code, creativity and a longer arc in mind. Lens Vault Studios has announced its first original production, Bal Tanhaji, marking the official entry of the newly launched, tech-driven studio into India’s evolving entertainment landscape.
Arriving six years after the box-office success of Tanhaji: The Unsung Warrior, the new project expands the universe rather than revisiting familiar ground. Bal Tanhaji explores uncharted narrative territory, signalling a clear shift from one-off cinematic spectacles to long-format, world-building storytelling designed for digital-first audiences.
At the heart of this ambition is Prismix Studios, the in-house generative AI and technology arm powering the creative engine behind the show. The studio’s approach blends storytelling with next-generation tools, aiming to reimagine how Indian IPs are created, scaled and sustained beyond theatrical releases.
For Lens Vault Studios chairman Ajay Devgn the new venture represents a deliberate step beyond traditional cinema. The focus is firmly on building long-form intellectual properties across fiction and non-fiction, tailored to changing viewing habits and platform-led consumption. He said the studio intends to explore formats that remain largely untapped, while drawing on the team’s experience with large-scale cinematic storytelling.
Lens Vault Studios founder and CEO Danish Devgn echoed that sentiment, describing Bal Tanhaji as the studio’s first generative-AI-led IP and the starting point of a broader vision. The aim, he noted, is to carry forward the legacy of the Tanhaji universe while connecting with younger audiences through a blend of powerful narratives and emerging technologies.
With Bal Tanhaji, Lens Vault Studios is planting its flag early not just launching a show, but signalling a larger play for cinematic universes that live, grow and evolve across platforms. If this debut is any indication, the future of Indian storytelling may be as much about imagination as it is about innovation.
