Movies
Telugu filmmakers allege Hyderabad theatre cartel threatens small films’ survival
NEW DELHI: The Telugu Chalana Chitra Parirakshana Samithi (TCCPS) has alleged that 80 per cent of the theatres in Hyderabad are leased to two to three companies who make it very difficult for a small and medium budget movie to recover their costs.
A spokesperson for the Samithi said that these companies have formed a cartel and created a monopoly.
The Samithi was established recently by filmmakers in Andhra Pradesh and Telengana to bring some balance in the eco system of movie production, distribution and exhibition.
The spokesperson said that the Telugu film industry is going through a crisis and steps need to be taken urgently to redress the grievance of filmmakers.
He said increasing cost of publicity and digital charges have only added to the problems of producers.
TCCPS is fighting to make a mutual win-win situation for all the stakeholders – Producers/Distributors/Exhibitors.
In the coming weeks TCCPS will be meeting Telangana Chief Minister to seek some reforms.
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
