Hindi
Suniel Shetty’s ‘Sbooch’ hunt takes a thrilling turn
Mumbai: The plot thickens in Bollywood’s most gripping mystery as megastar and fitness maven Suniel Shetty drops another tantalising teaser in the ongoing ‘Sbooch’ saga. Fans are left breathless as the hunt for the elusive ‘Sbooch’ takes an unexpected twist!
In this pulse-pounding follow-up, a masked figure emerges from the shadows, challenging our hero with the million-dollar question – “How much do you really care about your Sbooch?” The tension is palpable as Suniel Shetty, caught off-guard, continues his search.
But wait, there’s more! In a shocking turn of events, the action star implores viewers to join the hunt for his precious ‘Sbooch’. And here’s the kicker – Shetty promises the lucky finder a coveted spot beside him at the grand ‘Sbooch’ launch!
Could this be your chance to stand shoulder-to-shoulder with the Bollywood icon? The game is afoot! Will you be the one to crack the case of the missing ‘Sbooch’ and claim your moment in the limelight? Stay glued to your screens as this riveting mystery unfolds. The ‘Sbooch’ hunt is on, and the clock is ticking!
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You heard him! If you help us find Sbooch, you might just be the lucky person to meet @SunielVShetty.
What are you waiting for? Leave a comment below with your guess about what SBOOCH might be.#Sbooch #SunielShetty #comment #guess #lucky #winner pic.twitter.com/xb87s4g8B0— Sbooch (@SboochLife) July 15, 2024
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Hindi
Remembering Gyan Sahay, the lens behind film, television and advertising
From a puppet rabbit selling poppadums to Hindi cinema, he framed it all.
MUMBAI: There are careers, and then there are canvases. Gyan Sahay, the veteran cinematographer, director, and producer who passed away on 10 March 2026 in Mumbai, had one of the latter. Over several decades in the Indian film and television industry, he turned lenses, lights, and the occasional puppet rabbit into something approaching art.
A graduate of the Film and Television Institute of India (FTII) in Pune, Sahay built his reputation as a director of photography across a career that stretched from the early 1970s all the way to the digital age. He was the kind of craftsman who understood that a well-composed shot is not merely a technical achievement but a quiet act of storytelling.
For most Indians of a certain age, however, Sahay will forever be the man behind the rabbit. His direction of the iconic long-running television commercial for Lijjat Papad, featuring its now-legendary puppet bunny, gave the country one of its most cheerfully persistent advertising images. It was the sort of work that sneaks into the national subconscious and takes up permanent residence.
His big-screen credits as cinematographer include Anokhi Pehchan (1972), Pagli (1974), Pas de Deux (1981), and Hum Farishte Nahin (1988). In 1999, he stepped behind a different kind of camera altogether, making his directorial debut with Sar Ankhon Par, a drama that featured Vikas Bhalla and Shruti Ulfat, with a cameo by Shah Rukh Khan for good measure.
On television, Sahay was particularly prized for his command of multi-camera production setups, a skill that made him a go-to technician for large-scale shows and reality programmes. In an industry that has never been especially patient with complexity, he was the calm hand on the rig.
In later life, Sahay turned teacher. He participated regularly in masterclasses and Digi-Talks, often hosted by organisations such as Bharatiya Chitra Sadhna, sharing hard-won wisdom on cinematography, the comedy of timing in a shot, and the sweeping changes brought by the shift from celluloid to digital. He was also said to have been involved in a project concerning a biographical film on Infosys co-founder N.R. Narayana Murthy.
Tributes from the film industry poured in following the news of his passing, with colleagues remembering him as a senior cameraman who served as a rare bridge between two entirely different eras of Indian cinema. That is, perhaps, the finest thing one can say of any craftsman: he kept up, and he brought others along with him.
