Hollywood
Steven Spielberg’s ‘Ready Player One’ to release in December 2017
MUMBAI: The game is on in 2017. Warner Bros. Pictures, Village Roadshow Pictures and DreamWorks Pictures’ Ready Player One – the sci-fi action adventure to be directed by Steven Spielberg – has been slated for release on 15 December, 2017.
A three-time Academy Award winner, Spielberg is directing Ready Player One, based on Ernest Cline’s bestseller of the same name, which has become a worldwide phenomenon. The film is being produced by Spielberg; Donald De Line, under his De Line Pictures banner; Dan Farah; and Spielberg’s longtime colleague Kristie Macosko Krieger; with Bruce Berman serving as executive producer. De Line and Farah originally brought the project to Warner Bros.
Ready Player One marks a return to Warner Bros. for Spielberg, who previously directed the studio’s Empire of the Sun, The Color Purple and A.I. Artificial Intelligence, in addition to producing the hits Gremlins and The Goonies.
Warner Bros president, domestic distribution Dan Fellman said, “Any film from Steven Spielberg is an event film, so it felt right to date this thrilling new project from one of our greatest filmmakers for the holiday season.”
Warner Bros president, worldwide marketing and distribution Sue Kroll added, “From the success of the book, Ready Player One already has a devoted following, and we’re excited for its fans and moviegoers everywhere to see this fantastically innovative story come to life. We know it couldn’t be in better hands, and look forward to working with Steven and the producers to bring it to the big screen.”
Warner Bros. Pictures president, worldwide distribution Veronika Kwan Vandenberg said, “There are few directors with the global stature of Steven Spielberg, so we are thrilled to be delivering his latest adventure to audiences worldwide.”
Hollywood
Who won what at the Oscars 2026? Full winners list from the 98th Academy Awards
A night of history, high drama, and gingery wit at the 98th Academy Awards
LOS ANGELES: If the 98th Academy Awards taught us anything, it is that Hollywood still loves a tortured genius and a well-timed ginger joke. While the night was technically a coronation for Paul Thomas Anderson’s sprawling war drama One Battle After Another, the real battle was fought in the stalls of the Dolby Theatre as host Conan O’Brien unleashed a monologue that was part roast, part group therapy session.
The evening belonged to the cinematic heavyweights. One Battle After Another lived up to its title, clinching Best Picture, Best Director, and Best Adapted Screenplay. Anderson, the perennial bridesmaid of the Oscars, finally took home the big prizes, cementing his status as the industry’s favourite auteur.
In the acting categories, Michael B. Jordan made history. Winning Best Actor for his visceral performance in the supernatural thriller Sinners, he became only the fourth Black man to win the trophy. His speech was a masterclass in humility, though he spared a moment to thank his trainer for “making me look like I could actually fight a demon.”
The history books were rewritten several times over. Autumn Durald Arkapaw shattered a long-standing glass ceiling by becoming the first woman to win Best Cinematography for Sinners. Meanwhile, the newly minted Best Achievement in Casting category saw its inaugural trophy go to the ensemble of One Battle After Another.
Returning to the stage with his signature quiff and self-deprecating bite, Conan O’Brien did not hold back. He began by acknowledging the elephant in the room: his own presence.
“I know what you’re thinking,” he quipped. “Why is the ghost of a Victorian chimney sweep hosting the Oscars? It’s because AI is too expensive and I work for sandwiches.”
The controversy kicked off when he turned his sights on the Best Visual Effects nominees. Pointing at the Avatar: Fire and Ash table, he remarked:
“James Cameron has spent so much money on blue people that the actual ocean is now jealous of his budget. Jim, at some point, you have to admit this is just a very expensive aquarium hobby.”
He also took a cheeky swipe at the trend of method acting, specifically targeting Sean Penn.
“Sean stayed in character for so long that his own family had to serve him a subpoena just to get him to come to Sunday roast,” O’Brien joked, to a mix of nervous titters and Penn’s trademark stony glare.
The night was not without its “did he really say that?” moments. During a bit about the length of the telecast, O’Brien noted that the show was running so long that:
“By the time we get to Best Picture, the winner will have already been rebooted as a gritty limited series on Max.”
He also touched on the industry’s obsession with youth, pointing at a young starlet and saying:
“You’re so young that your first memory is actually a TikTok of this monologue.”
While most took it in stride, some critics on social media called the joke “typical boomer energy,” though O’Brien seemed entirely unfazed.
The full winners’ circle:
Best Picture: One Battle After Another
Best Director: Paul Thomas Anderson (One Battle After Another)
Best Actor: Michael B. Jordan (Sinners)
Best Actress: Jessie Buckley (Hamnet)
Best Supporting Actor: Sean Penn (One Battle After Another)
Best Supporting Actress: Amy Madigan (Weapons)
Best Animated Feature: K-Pop: Demon Hunters
Best Original Song: “Golden” from K-Pop: Demon Hunters
As the curtains closed and the A-list headed for the after-parties, the mood was one of relief. Hollywood had managed to celebrate its past while poking fun at its increasingly digital future. Whether the night belonged to the war heroes of PTA or the witty barbs of a tall redhead remains a matter of debate.
