GECs
StarOne ‘SET’ to enter new programming vistas
MUMBAI: The generational leap forward — a programming ploy oft used by Hindi entertainment television’s lead channel Star Plus to take the plots of its “saas-bahu” soaps ahead. Come 1 November and India’s lead network will be attempting a far more significant leap forward with the launch of its new metro-centric channel StarOne.
According to Star India COO Sameer Nair, after four years of the staple that Star Plus offered, StarOne represents the “next generation of Hindi entertainment television”. Nair and his team have identified StarOne’s core audience as aspirational young urban professionals (SEC A-B, 25 to 34-year-olds). It is no coincidence that the TG StarOne is targeting is exactly the same as that which the number two channel Sony Entertainment Television has identified as its key audience in the past one year. SET’s gameplan has been to focus on men and women, between the ages of 25 and 34 who belong to the upper middle and higher income groups. .
And if the TG that StarOne is looking to address looks much the same as that which the Times Group’s newly launched nonfiction lifestyle entertainment channel Zoom is targeting as well, that is because it is much the same demographic.
But that’s where the similarity between StarOne and Zoom ends. StarOne defines itself primarily as high-end fiction (five lifestyle shows back to back on Sundays being the principal exception).
In a conversation with Indiantelevision.com, Nair offered an insight into some of the key aspects of the programming that constitute StarOne, “The first time a full-fledged channel is being launched that is totally new.”
In brief, StarOne is launching 1 November with 21 new shows mainly slotted between 8 and 11:30 pm on weekdays.
Among the highlights on weekdays are two comedy bands – 9 to 9:30 pm and 11 to 11:30 pm. The 11 pm band has been titled the Great Indian Comedy Show and comprises a half hour of gags. Broadly inspired by Groucho Marx, points out Nair.
In the 9 pm band there are four shows slotted. Sarabhai Vs Sarabhai (Monday) is about a dysfunctional industrialist family. Viewers of Star Plus will be familiar with Tuesday’s offering which has been newly titled Instant Khichdi (earlier avatar was Khichdi). The story is basically Beverly Hillbillies in an Indian setting. As in the hick town characters that made up the original Khichdi cast have struck it rich (oil has been found on their land). Pyar Ki Kashti Mein (young romance) is on Wednesdays and Dil Kya Chatta Hai (revolves around four guys) is on Thursdays.
Another weekday highlight is a one-hour daily soap (8 to 9 pm Mondays to Thursdays) titled “Remix” and produced by Goldie Behl’s Rose Movies. It is an Indian adaptation of a Spanish telenovella that translates as “Rebel The Way”, informs Nair. This is probably the first time that a one-hour daily soap is being attempted on Hindi entertainment television though Star World regulars would be familiar with it in the long running series Santa Barbara (which went off air quite a while ago).
As for the weekends, Star is introducing the telefilm concept on Fridays. Each telefilm will be of 72 minutes duration with just one ad break, says Nair. This is another first as well. The telefilms strategy is important from another perspective as well. Nair stresses that STarOne will not be resorting to the “safe” bet of airing Bollywood films on the channel. This is a lazy way to fill up the channel’s FPC as well as chase ratings, Nair argues. It may be noted that the strategy of keeping off Bollywood is one that has been followed since its inception by FTA comedy channel SAB TV as well.
There is a lifestyle band on Sunday late mornings in which five shows have been slotted: “Har Ghar Kuch Kehta Hai (all about good homes), “Mind, Body and Soul”, “Exotica” (travel show), “Cook na Kaho” (tips for men who can’t cook) and “Men Mange More” (latest gadgets, trends).
Also included in the FPC is an animation band from 7 to 8 pm “that has some never before seen in India cartoons,” says Nair.
Two key differentiators from other channels is that all the stories have a finite time frame (26 or 39 episodes for the weeklies) with a story that goes forward (none of the dragging on that we see on the channels currently, promises Nair). If the shows do well they will come back after a “one season break” and if not they will end as per their scheduled time frame will be the aim, Nair says.
The strategy certainly seems to be clear. If the free-to-air “re-run” channel Utsav was launched with the intent to eat into Sahara One and SAB TV, StarOne looks to be aiming to disable SET.
But to give credit where it is due, there is no denying that StarOne attempts to address many of the complaints that have been hurled the way of Hindi entertainment’s lead network, especially with regard to the content that airs on its flagship Star Plus.
GECs
Z launches ‘Dilfluencer Moments’ to boost brand engagement across screens
New omnichannel format blends TV characters, storytelling and digital reach to boost engagement and affinity
MUMBAI: Zee Entertainment Enterprises Ltd (‘Z’) has unveiled ‘Dilfluencer Moments’, a new omnichannel media format designed to help brands cut through the clutter and turn audience attention into brand love.
With media access increasingly democratized, visibility alone no longer drives results. Shrinking attention spans and rising content noise have made memorability, emotional connection and action the real currency. Dilfluencer Moments addresses this by embedding brands into character-led, culturally resonant storytelling that travels seamlessly from TV to digital, social and creator ecosystems.
The format debuted with the “TumHoLovely” campaign on National Girl Child Day. Anchored in Hindi and Marathi shows, the campaign’s narrative extended organically across digital platforms, amplified by creators and community participation. A brand film featuring Sanya Malhotra further showcased how TV-originated cultural cues can spark broad engagement and virality. Within 24 hours, the campaign racked up 35 million total impressions, 20 million digital views, 2.5 million engagements and over 1,000 comments.
Laxmi Shetty, head – advertisement revenue, broadcast & digital, Zee Entertainment Enterprises Ltd, said, “As consumers turn away from interruption-led communication, advertisers need moments that feel culturally earned and emotionally authentic. Dilfluencer Moments delivers reach at scale through character-first content systems that connect with audiences personally, transforming storytelling into brand love.”
Kartik Mahadev, chief marketing officer, ‘Z’ & Zee 5, added: “Access alone is no longer an advantage; affinity is. Affinity comes from storytelling, familiar characters and moments that stay with audiences across screens. Dilfluencer Moments lets brands participate meaningfully in moments audiences already love, travelling organically across linear, digital and social platforms at scale.”
By anchoring campaigns in high-trust television moments and extending them into digital and social ecosystems, Dilfluencer Moments enables brands to generate organic engagement, amplify virality and convert attention into long-term emotional equity.
With its national scale, deep emotional storytelling and character-first approach, Z is offering marketers a powerful new way to build affinity, cut through clutter and create culturally resonant brand moments that stick.
