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Star, Siti trade charges over channel blackout in Delhi

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Officials in Star Television and the Zee group affiliated MSO Siti Cable made conflicting statements on Thursday a day after a row over Star’s channels being blacked out in New Delhi threatened to snowball.

 

Siti accused Star of trying to cash in on the unprecedented success of its hit game show Kaun Banega Crorepati to increase subscription rates and force operators to pay for “unpopular” pay channels like Star Gold and Star World.

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“They (Siti) switched us off but we are back on again in most of New Delhi as of yesterday,” countered Yash Khanna, head of corporate communications in Star. “Obviously they are feeling some insecurity as Zee TV is expected to go pay soon,” he said.

 

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Siti claimed its actions were dictated by customer feedback which said no one was willing to pay for channels they do not view. They also asserted that Star’s actions were illegal. A Siti Cable group company providing cable services in Noida (a New Delhi suburb) has instituted legal proceedings with the MRTP (Monopolies and Restrictive Trade Practices) Commission, a press release said.

 

“We are not forcing people to take all channels,” explained Khanna. “StarGold is priced at Rs 5.50 per home per month. But cable operators have a choice to take it or not to take it. Without StarGold, the Star bouquet is priced at Rs 19.25 per home per month, he said. “So where is the question of bringing the MRTPC commission into it.”

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The major bone of contention is however the issue of paid connectivity. A problem which is bound to keep resurfacing unless a satisfactory conditional access system is introduced.

 

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It was only on Monday that the Star affiliated Hathway Cables had reached a compromise with Sony over the declared paid connectivity of its pay channels SetMax, AXN and CNBC. Sony had switched off the channels in the Mumbai region from 2 January over a similar dispute as the one being witnessed between Siti and Star.

 

Siti charges that Star has demanded subscription charges on an assumed increase in the subscriber base without any verification or justification.

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“We are being paid for just five million subs when the cable TV population in India is over 35 million. The figures speak for themselves,” says Khanna.

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GECs

Sony to launch Tum Ho Naa game show hosted by Rajeev Khandelwal

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MUMBAI: Lights, camera… connection because this time, the game isn’t just about winning, it’s about who’s with you. Sony Pictures Networks India is gearing up to launch a new reality game show, Tum Ho Naa, expanding its unscripted slate with a format that promises both emotion and engagement.

The show will premiere soon on Sony Entertainment Television and stream on Sony LIV, with Rajeev Khandelwal stepping in as host. Known for his measured screen presence and selective choices, Khandelwal’s return to television adds a layer of familiarity and credibility to the upcoming format.

While specific details of the gameplay remain under wraps, the positioning suggests a reality format that leans as much on emotional resonance as it does on competition, an increasingly popular blend in Indian television, where audiences are gravitating towards content that offers both stakes and storytelling.

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Khandelwal, reflecting on his return, noted that his choices have often been guided by instinct rather than convention, describing Tum Ho Naa as a project that feels “close to the heart”. His association also signals Sony’s continued focus on anchoring new formats with recognisable faces who bring both relatability and depth.

The launch comes at a time when broadcasters are doubling down on original non-fiction formats to drive appointment viewing, even as digital platforms expand parallel reach. By placing the show across both linear television and OTT, Sony appears to be aiming for a dual-audience strategy capturing traditional viewers while engaging digital-first consumers.

As the countdown to premiere begins, Tum Ho Naa positions itself not just as another game show, but as a reminder that sometimes, the biggest prize on screen isn’t the jackpot, it’s the journey shared along the way.

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