Hindi
Standing ovation for ‘Bombay Talkies’ at Melbourne
NEW DELHI: ‘Bombay Talkies‘, the closing film of the Indian Film Festival of Melbourne (IIFM) received a rare honour by receiving a standing ovation by a 600 member strong audience.
"We could not have wished for a better closing night movie than Bombay Talkies, making its Australian debut only three days after receiving a gala screening in Cannes. The response to the screening has been beyond expectation" said IFFM festival director Mitu Bhowmick Lange.
An anthology of four short films by four of India‘s most exciting directors – Anurag Kashyap, Dibakar Banerjee, Zoya Akhtar and Karan Johar – Bombay Talkies was the icing on the cake for the festival‘s own celebrations of 100 years of Indian cinema, and the packed audience loved it.
"That was incredible. We saw aspects of India we rarely see, and could identify with every story," said one fan. "It was a real eye-opener about India, and Indian cinema. The gay kiss was refreshing to see too! And the film extremely confronting, especially coming from a mainstream film maker like Karan Johar", said Leima Popal who is an avid Bollywood fan.
Following a long standing ovation, Aussies could be heard singing the Bombay Talkies song on their way out.
Hindi
Jio Studios, Sanjay Dutt team up to revive Khal Nayak
Rights acquired for new version, format under wraps as remake plans take shape.
MUMBAI: The villain is back and this time, he’s rewriting his own script. Jio Studios has partnered with Three Dimension Motion Pictures and Aspect Entertainment to revive the 1993 cult classic Khal Nayak, marking a fresh chapter for one of Bollywood’s most iconic anti-hero stories. The original film, directed by Subhash Ghai under Mukta Arts, was a commercial and cultural milestone, with Sanjay Dutt’s portrayal of Ballu becoming one of Hindi cinema’s most memorable performances.
Dutt, along with Aksha Kamboj, has now acquired the rights from the original creators, bringing on board Jio Studios and its President Jyoti Deshpande to steer the project creatively.
While the exact format whether remake, sequel, prequel, or a completely new narrative remains undisclosed, the collaboration aims to reinterpret the story for contemporary audiences while retaining the essence that made the original a defining film of the 1990s.
The move taps into a broader industry trend of reviving legacy intellectual property, particularly characters with strong recall value. “Khal Nayak” was notable for pushing mainstream Hindi cinema into morally grey territory at a time when heroes were largely one-dimensional, making Ballu’s character a standout.
The project also marks the film production debut of Aspect Entertainment, signalling a push towards more technology-led storytelling frameworks. Meanwhile, Jio Studios continues to expand its slate, having built a library of over 200 films and series, with more than 60 titles collectively winning 500-plus awards.
For Dutt, the revival is as much personal as it is strategic, a return to a role that reshaped his career. For the industry, it is another sign that nostalgia, when paired with scale, remains a powerful box-office proposition.
Because in Bollywood, some villains never fade, they just wait for the perfect comeback.
