GECs
Sony-SAB talks not at valuation stage
MUMBAI: Sony Entertainment Television India appears reluctant to pursue the acquisition of SAB TV, belying reports in the media which have indicated otherwise. The talks between the two companies never reached a valuation stage.
“For us, it is still a choice of whether to make or to buy. We are, in fact, questioning the need of a flanking channel itself,” Sony Entertainment Television India chief executive officer Kunal Dasgupta tells indiantelevision.com. Media reports of Sony’s buying into SAB have reasoned that the network is looking for a flanking channel for its flagship SET.
The concept has failed to work in India is Dasgupta’s contention. “Zee Telefilm’s EL TV effort didn’t succeed. Star Utsav has also not caught fire. We will see how the market evolves before deciding on anything,” says Dasgupta.
When asked whether Sony was at an advanced stage of discussions with SAB, Dasgupta says: “We haven’t reached the stage where we have done an internal valuation of the company.”
For Dasgupta, the priority this year is to get Sony TV to some position of dominance. “Advertising on re-run channels is going to be poor. In matured TV markets, such channels are mainly subscription-driven. When you pay for what you watch, that’s the time to launch a flanking channel,” said Dasgupta.
With Zee and Star having plans in the southern regional language market, what would be Sony’s strategy? “We will plan when we feel that the market is right. There are no movies available for acquisition in these markets. There are also too many players. We will have to wait for consolidation,” says Dasgupta.
Is Sony prepared to buy out any existing players? “We do not want to buy early and spend too much money. We will wait for the right time and decide what we are to do,” he says.
The immediate focus is not to get a flanking channel or move into the regional language markets, but to get Sony TV up. “Getting channels for other audiences are long term plans. There is no point in creating more vessels to lose money,” says Dasgupta.
Isn’t Sony TV slipping in audiences after having climbed up the rating charts in the first half of the year? “In metros, we are actually doing better. Our programme positioning being youthful and aspirational.”
How will the launch of StarOne affect Sony TV, particularly as it is aimed at the younger aspirational audiences? “They may end up cannibalising their own audiences,” is all Dasgupta is willing to offer.
GECs
Sony PAL to air Sankat Mochan Hanuman from May 4 at 9 PM
Mythological series brings Lord Hanuman’s tale of devotion and courage back to TV
MUMBAI: Sony PAL is set to bring back the timeless mythological series Sankat Mochan Hanuman, with its premiere scheduled for May 4 at 9 PM. The show revisits the legendary journey of Lord Hanuman, offering viewers a chance to reconnect with one of Indian mythology’s most revered figures.
Centred on themes of devotion, courage and righteousness, the series traces Hanuman’s unwavering loyalty to Lord Ram and his fearless stand against evil. With its mix of dramatic storytelling and visually rich sequences, the show aims to deliver both entertainment and spiritual resonance, appealing to audiences across age groups.
The narrative unfolds as a larger-than-life saga, positioning Hanuman as the ultimate protector and a symbol of strength and selfless service. His journey, rooted in faith and duty, continues to strike a chord with viewers, making the series as relevant today as ever.
The cast features Gagan Malik as Lord Ram, Debalina Chatterjee as Sita, Nirbhay Wadhwa in the titular role, and Saurav Gurjar as Raavan. Their performances bring depth and authenticity to characters deeply embedded in Indian cultural memory.
With its return to television, the show is positioned as more than just a rerun. It taps into a renewed appetite for mythological storytelling, blending nostalgia with timeless values.
As audiences increasingly seek content that resonates beyond entertainment, ‘Sankat Mochan Hanuman’ offers a familiar yet powerful narrative, reminding viewers that stories of faith and courage never really go out of style.
