Hindi
Sajid-Wajids friendly gesture for Tigmanshu Dhulia
MUMBAI: We have heard a very heartwarming story behind Bullett Raja’s latest track — Don’t Touch My Body that features Mahie Gill. Not many know that the tune of the song created by Sajid Wajid that is gradually becoming a rage was actually created almost seven years ago.
It so happened that Tigmanshu roped in Sajid Wajid for a film in 2006 but due to some technical difficulties the film was never made and got shelved eventually. However, Sajid Wajid promised him that they will keep the music they composed for his film reserved for their collaboration in future.
Tigmanshu again approached Sajid Wajid, this time for Bullett Raja. While Tigmanshu had forgotten about the incident, the duo shocked him by telling that they had kept the music with them. And that’s how Don’t Touch My Body happned.
Sajid-Wajid have set one of the finest examples of exemplary friendship in the industry!
The film releases on 29 November, 2013!!!
Hindi
Rashmika Mandanna, Shanaya Kapoor and Naila Grrewal climb IMDb’s Indian celebrity rankings
Upcoming films and returning shows are driving fan interest across Bollywood and streaming
MUMBAI: Bollywood’s popularity contest has a new weekly scorecard, and the numbers are telling. IMDb’s Popular Indian Celebrities list for this week places Shanaya Kapoor at number six, buoyed by buzz around her film Tu Yaa Main. Naila Grrewal slots in at seven on the back of the returning comedy series Maamla Legal Hai, while Rashmika Mandanna climbs to eighth, riding mounting anticipation for Cocktail 2.
The list, available exclusively on the IMDb app for Android and iOS, tracks trending Indian entertainers and filmmakers each week, drawing on data from more than 200m monthly visits to the platform worldwide.
Further down the rankings, Raaka is keeping two of its biggest names in the spotlight. Deepika Padukone holds 11th position, with Allu Arjun close behind at 13th, as the film continues to find traction with audiences.
The list offers fans a weekly pulse on who is breaking through, who is holding steady, and who is fading. It is a barometer as unsparing as the box office itself.
