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Revolution wins the Green award at the 2nd Voices from the Waters

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NEW DELHI: Eminent British filmmaker Rob Stewart’s film Revolution has won the Green award at the 2nd Voices from the Waters held in Sweden.

 

Commenting on the film which has already won more than 50 awards, the jury said: “The Green Award goes to Revolution, an inspiring film about humans’ destructive impact on the environment, which bereaves all life in the ocean a future. We get to follow Rob Stewart on his travel around the globe to try to find an answer on what that has to be done to save the planet. He meets environmental activists and visionaries and their fight is inspirational. Something has to be done and we have to engage our self in the ocean. Revolution is a strong story about an uncertain future, which with the tools of film, activates and moves us.”

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A true life adventure following director Rob Stewart in the follow up to his smash hit Sharkwater, Revolution is an epic adventure into the evolution of life on earth and the revolution to save us.

 

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Discovering that there is more in jeopardy than sharks, Stewart uncovers a grave secret threatening our own survival as a species, and embarks on a life-threatening adventure through four years and 15 countries into the greatest battle ever waged.

 

The film brings some of the most incredible wildlife spectacles ever recorded and audiences are brought face to face with sharks and cuddly lemurs, into the microscopic world of the pygmy seahorse, and on the hunt with the deadly flamboyant cuttlefish. From the coral reefs in Papua New Guinea to the rainforests in Madagascar, Stewart reveals that all of our actions are interconnected.

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Through it all, Stewart’s journey of encouragement and hope meets activists and individuals all over the world that are winning the battle to save the ecosystems we depend on for survival.

Presenting the most important information on human survival and inspiring people all over the world to fight for life, Revolution is essential viewing for everyone. Startling, beautiful, and provocative, Revolution inspires audiences across the globe to start a revolution and change the world forever.

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Revolution premiered at the Toronto International Film Festival and has already gone on to win numerous awards, including the audience award for best documentary at the Atlantic Film Festival, most popular environmental film award at the Vancouver International Film Festival, the audience award at the Victoria Film Festival and the social justice award at the Santa Barbara International Film Festival. 

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Hollywood

Disney to cut 1,000 jobs in major restructuring drive

Layoffs span ESPN, studios and tech as company pivots to growth

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MUMBAI: The magic isn’t disappearing but it is being reorganised. The Walt Disney Company has announced plans to cut around 1,000 jobs as part of a sweeping restructuring effort aimed at sharpening its edge in an increasingly unpredictable entertainment landscape. The move, led by CEO Josh D’Amaro, reflects a broader internal reset as the company rethinks how it operates, allocates resources and competes in a fast-evolving industry. In a memo to employees, D’Amaro acknowledged the difficulty of the decision but framed it as a necessary step to ensure Disney remains “efficient, innovative, and responsive” to rapid shifts in consumer behaviour and technology.

The layoffs will span multiple divisions, including marketing, film and television studios, ESPN, technology teams and corporate functions. Notifications have already begun, signalling that the restructuring is not a distant plan but an active transition underway.

Importantly, the company has clarified that the cuts are not performance-driven. Instead, they form part of a wider transformation strategy aimed at building a leaner, more agile organisation, one better equipped to respond to streaming dynamics, digital disruption and evolving audience expectations.

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The timing is telling. The global entertainment industry is in the middle of a structural shift, with traditional television revenues under pressure and box office returns becoming increasingly volatile. Meanwhile, streaming platforms and digital-first competitors continue to redraw the rules of engagement, forcing legacy players to rethink scale, speed and storytelling formats.

For Disney, long synonymous with blockbuster franchises and timeless storytelling, the pivot is both strategic and symbolic. The company is doubling down on technology, direct-to-consumer services and content ecosystems that align with modern viewing habits, where audiences expect immediacy, personalisation and cross-platform experiences.

Even as the restructuring unfolds, D’Amaro struck a note of optimism, reiterating Disney’s commitment to creativity and long-term growth. Support measures for affected employees are expected as part of the transition, though details remain limited.

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In essence, this is less about cutting back and more about reshaping forward. As Disney redraws its organisational map, the message is clear, in today’s entertainment world, even the most magical kingdoms must evolve or risk being left behind.

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