Hindi
Reviving cinema culture: Why National Cinema Day needs a rethink
National Cinema Day, a day ostensibly designed to promote the cinematic experience, has become a hollow gesture. While the intent is noble—to encourage more people to experience the magic of the big screen—it’s a misguided approach that’s actually hurting the industry.
The concept is simple: offer massive discounts for one day only to entice audiences into theatres. But this artificial boost in attendance numbers is a temporary fix that masks a deeper problem: audiences are losing interest in cinema. The reason isn’t a lack of affordability; it’s a lack of value.
Reducing ticket prices inadvertently reinforces the notion that cinema is a cheap commodity. It’s as if the industry is saying, “We know our product isn’t worth much, so we’ll give it to you at a discount.” This is a self-defeating strategy that undermines the very essence of cinema.
Instead of resorting to gimmicks to artificially inflate attendance numbers, the industry should focus on creating engaging, high-quality content. Movies like Stree 2 demonstrate that good cinema can still draw crowds without the need for massive discounts.
National Cinema Day is a misguided attempt to address the decline of cinema attendance. Instead of relying on short-term gimmicks, the industry must focus on creating high-quality content, investing in the theatrical experience, and embracing innovative data. By doing so, we can ensure that cinema remains a vibrant and essential part of our culture.
The decline of cinema attendance
The decline in cinema attendance is a multifaceted issue with roots in both industry practices and societal shifts. According to some reports, Indian cinemas had been pulling in a tad over 1.4 billion footfalls before the pandemic.
The rise of streaming platforms has offered audiences a convenient and affordable alternative to the traditional theatrical experience. Blockbuster franchises, often prioritised over original content, have led to a sense of cinematic fatigue among audiences. The increasing cost of tickets, concessions, and transportation has also made going to the movies a less appealing option for many.
However, while streaming platforms offer convenience, the theatrical experience remains irreplaceable. The immersive power of the big screen, coupled with the shared experience of watching a film with an audience, creates a unique and unforgettable atmosphere. The film industry must invest in technologies and amenities that enhance the theatrical experience and make it a compelling choice for audiences.
The dangers of discount culture
National Cinema Day, with its promise of heavily discounted tickets, perpetuates a culture of discounting in the film industry. This culture sends a message to audiences that cinema is not worth its full price, eroding the perceived value of the theatrical experience. It also incentivizes studios to prioritise short-term gains over long-term sustainability.
The key to revitalising the film industry lies in a renewed commitment to quality content. Studios should focus on producing original, thought-provoking films that resonate with audiences on an emotional level. Diverse storytelling, featuring voices from different backgrounds and perspectives, can also help to attract a wider audience.
Recent reports acknowledge that the biggest hindrance to cinema-going is the sizable variance in the quality of the movies being created. Uncertainty about the quality of films, and the absence of a strong string of films as a given, prevents people from investing time, energy, and money in going to cinemas. Unless the movie industry tackles this challenge head-on, footfalls in cinemas are unlikely to increase.
Data: The missing piece of the puzzle
The film industry must embrace data analytics to better understand audience preferences and tailor content accordingly. By analysing audience behaviour, demographics, and social media trends, studios can identify emerging trends, identify gaps in the market, and develop films that resonate with specific audiences. Data analytics can also help optimise marketing campaigns, ensuring that films reach the right people at the right time.
National Cinema Day is a fake obituary for cinema. It’s a desperate attempt to keep the lights on in theatres, but it’s not a sustainable solution. The real cure lies in making movies that people actually want to see. It’s time to stop treating cinema as a commodity and start recognizing it as an art form.
The article has been authored by MovieMe founder & CEO Bhavesh Joshi.
Hindi
Rajesh Ramaswamy exits The Script Room to focus on filmmaking journey
Ad filmmaker steps away from own venture to pursue direction and storytelling
MUMBAI: In a move that has caught the attention of the advertising and creative community, Rajesh Ramaswamy has announced his exit from The Script Room, the company he co-founded, marking the end of a seven-year stint at the helm.
The decision, which came into effect earlier this month, signals a shift in focus for Ramaswamy, who is now looking to immerse himself fully in filmmaking and direction as an independent creative.
Known for blending sharp advertising insight with storytelling craft, Ramaswamy has been instrumental in shaping The Script Room into a creative hub that delivered campaigns, branded content, and original storytelling formats. Over the years, the company collaborated with agencies, directors, and a wide network of writers, while also experimenting with formats such as short films and web series.
Sharing his thoughts on the transition, Ramaswamy indicated that the move is driven by a desire to focus and explore stories he has been developing over time. While he acknowledged the unconventional nature of stepping away from one’s own venture, he also framed it as a necessary leap toward clarity and creative pursuit.
Importantly, The Script Room will continue its operations with its current team and leadership, with Ramaswamy expressing confidence in the group that helped build the company’s identity. The studio, he noted, remains well-positioned to evolve further with fresh talent and ideas.
His exit also reflects a wider industry trend, where experienced advertising professionals are increasingly transitioning into independent filmmaking, tapping into the growing opportunities across digital and long-form content platforms.
As Ramaswamy steps into this new phase, the move underscores a familiar creative instinct, sometimes, the boldest ideas begin with a clean break.
